Файл: Morpheus_Operation_Manual.pdf

The function generator can have up to eight segments, each with a Level and a Time parameter. The level parameter can be either positive or negative. Each segment of the function generator can have a different Shape. There are 63 different shapes consisting of various curves, straight and crooked line segments, random, chaos and delays.

Four of the 63 curves are shown below. By combining the various curve shapes, extremely complex functions can be created. See the Reference Section of this manual for the complete set of function generator curve diagrams.

Circle 16 R

Fast Line 2

PRESET MENU

Function Generator

Curves

Linear

Exponential +1

Exponential +2

Exponential +3

Exponential +4

Exponential +5

Exponential +6

Exponential +7

Circle 1.4

Circle 1.6

Circle 1.8

Circle 1.16

Squeeze

Fast Line 1

Fast Line 2

Fast Line 3

Medium Line 1

Medium Line 2

Slow Ramp 1

Slow Ramp 2

Bloom

Bloom 2

Circle 1.16 Reverse

Circle 1.8 Reverse

Circle 1.6 Reverse

Circle 1.4 Reverse

Slow Curve 1

Slow Curve 2

Delay DC

DC Delay

Curve 2x

Curve 2x B

Curve 2x C

Ziz Zag 1

Ziz Zag 2

Ziz Zag 3

Chaos 03, 06, 12, 16, 25, 33,

37, 50, 66, 75, 95, 99

Linear Shuffle 1

Linear Shuffle 2

Random A-L

Random Z

••• A Conditional Jump always goes to the Beginning of the destination segment.

▼ Remember to turn up the LFO amount when using LFOs as conditionals.

The function generator can be programmed to jump between segments based on certain conditions. Because the decision to jump is based on conditions, these jumps are called Conditional Jumps. For example, the function generator could be programmed to loop only if the key is still being held. In the diagram below, the function generator has been programmed to jump back to segment 3 if the key is held but jump to segment 4 whenever the key is released.

Conditional jumps can be programmed to jump to the destination segment immediately or they can wait until the end of the segment before jumping. The conditional jumps are:

Footsw. 1-3 Immed. Jumps immediately if the selected footswitch is

••• Drawing your function generator ideas on paper first will simplify the programming process.

••• Remember that you must assign the function generator to a destination in the Realtime Control screen.

••• The Function Generator Amount can also be modulated by a Realtime Control source.

Note-On

Modulation Sources

Key Number, Key Velocity

Initial Pitch Wheel Amount

Initial Controller A Amount

Initial Controller B Amount

Initial Controller C Amount

Initial Controller D Amount

Initial Mono Pressure Amount

Initial FR Function Gen.

Amount

Destinations

Off

Pitch, Primary Pitch

Secondary Pitch

Volume, Primary Volume

Secondary Volume

Attack, Primary Attack

Secondary Attack

Decay, Primary Decay

Secondary Decay

Release, Primary Release

Secondary Release

Crossfade

LFO 1 Amount, LFO 1 Rate

LFO 2 Amount, LFO 2 Rate

Auxiliary Envelope Amount

Auxiliary Envelope Attack

Auxiliary Envelope Decay

Auxiliary Envelope Release

Function Gen 1 Amount

Function Gen 2 Amount

Portamento Rate

Primary Portamento Rate

Secondary Portamento Rate

Filter Morph

Primary Filter Morph

Secondary Filter Morph

Pan, Primary Pan

Secondary Pan

Sample Start

Primary Sample Start

Secondary Sample Start

Tone, Primary Tone

Secondary Tone

Filter Level, Primary Filter Level

Secondary Filter Level,

Filter Freq. Tracking,

Primary Filter Freq. Tracking

Secondary Filter Freq. Tracking

Filter Transform 2

Primary Filter Transform 2

Secondary Filter Transform 2

• Note-On Modulation Control

These functions allow you to route Note-On information (information received at note-on time such as velocity or key number) to any of the modulation destinations. Up to 10 simultaneous paths or “patches” may be programmed. For each modulation patch, there is a source, a destination and a corresponding amount parameter which is variable from -128 to +127. Place the cursor under the appropriate parameter and change the patch number, modulation source, modulation destination, or the amount, using the data entry control. If a parameter is not labeled either primary or secondary, it affects both.

Modulation Destinations

Note-On Modulation Sources

Realtime

Modulation Sources

Pitch Wheel

MIDI Control A

MIDI Control B

MIDI Control C

MIDI Control D

Mono Pressure

Polyphonic Pressure

LFO 1, LFO 2

Auxiliary Envelope

Function Generator 1

Function Generator 2

Free-Run Function Generator

Destinations

Off

Pitch, Primary Pitch

Secondary Pitch

Volume, Primary Volume

Secondary Volume

Attack, Primary Attack

Secondary Attack

Decay, Primary Decay

Secondary Decay

Release, Primary Release

Secondary Release

Crossfade

LFO 1 Amount, LFO 1 Rate

LFO 2 Amount, LFO 2 Rate

Auxiliary Envelope Amount

Auxiliary Envelope Attack

Auxiliary Envelope Decay

Auxiliary Envelope Release

Function Gen 1 Amount

Function Gen 2 Amount

Portamento Rate

Primary Portamento Rate

Secondary Portamento Rate

Filter Morph

Primary Filter Morph,

Secondary Filter Morph

Pan, Primary Pan

Secondary Pan

When Modulating Envelope Attack, Decay or Release Times:

Positive amounts of modulation increase the time.

Negative amounts of modulation decrease the time.