Файл: Morpheus_Operation_Manual.pdf

Note-On

Modulation Sources

Key Number, Key Velocity

Initial Pitch Wheel Amount

Initial Controller A Amount

Initial Controller B Amount

Initial Controller C Amount

Initial Controller D Amount

Initial Mono Pressure Amount

Initial FR Func. Gen. Amount

Destinations

Off

Pitch, Primary Pitch

Secondary Pitch

Volume, Primary Volume

Secondary Volume

Attack, Primary Attack

Secondary Attack

Decay, Primary Decay

Secondary Decay

Release, Primary Release

Secondary Release

Crossfade

LFO 1 Amount, LFO 1 Rate

LFO 2 Amount, LFO 2 Rate

Auxiliary Envelope Amount

Auxiliary Envelope Attack

Auxiliary Envelope Decay

Auxiliary Envelope Release

Function Gen 1 Amount

Function Gen 2 Amount

Portamento Rate

Primary Portamento Rate

Secondary Portamento Rate

Filter Morph

Primary Filter Morph

Secondary Filter Morph

Pan, Primary Pan

Secondary Pan

Sample Start

Primary Sample Start

Secondary Sample Start

Tone, Primary Tone

Secondary Tone

Filter Level, Primary Filter Level

Secondary Filter Level

Filter Frequency Track

Primary Filter Frequency Track

Secondary Filter Freq. Track

Filter Transform 2

Primary Filter Transform 2

Secondary Filter Transform 2

Note-On Modulation Sources

NOTE-ON MODULATION CONTROL

Modulation sources must be connected to a destination in order to have any effect. The diagram and the LCD screen above show how modulation sources are connected to destinations. The modulation sources can control any of the destinations indicated by the small arrows.

▼ Note-On modulation sources are only measured once at Note-On time, hence the name. Even a controller like the Pitch Wheel is only measured once (at note-on time) when routed as a Note-On control. The Realtime Modulation screen (on the next page), allows continuous variation.

The possible modulation routings are completely flexible as shown in the diagram above. Multiple sources can control the same destination, or a single source can control multiple destinations.

Auxiliary

DAHDSR

Atk Dec Rel Amt

Realtime Modulation Sources

REALTIME MODULATION CONTROL

Realtime modulation sources are parameters which can be continuously varied over time. The velocity and keyboard modulations, in comparison, are set at the key depression. Modulation sources must be connected to a destination in order to have any effect.

The diagram and the LCD screen above show how modulation sources are connected to destinations. The modulation sources can control any of the destinations indicated by the small arrows. The possible modulation routings are completely flexible as shown in the diagram above. Multiple sources can control the same destination, or a single source can control multiple destinations.

Realtime

Modulation Sources

Pitch Wheel

MIDI Control A

MIDI Control B

MIDI Control C

MIDI Control D

Mono Pressure

Polyphonic Pressure

LFO 1, LFO 2

Auxiliary Envelope

Function Generator 1

Function Generator 2

Free-Run Function Generator

Destinations

Off

Pitch, Primary Pitch

Secondary Pitch

Volume, Primary Volume

Secondary Volume

Attack, Primary Attack

Secondary Attack

Decay, Primary Decay

Secondary Decay

Release, Primary Release

Secondary Release

Crossfade

LFO 1 Amount, LFO 1 Rate

LFO 2 Amount, LFO 2 Rate

Auxiliary Envelope Amount

Auxiliary Envelope Attack

Auxiliary Envelope Decay

Auxiliary Envelope Release

Function Gen 1 Amount

Function Gen 2 Amount

Portamento Rate

Primary Portamento Rate

Secondary Portamento Rate

Filter Morph

Primary Filter Morph

Secondary Filter Morph

Pan, Primary Pan

Secondary Pan

When Modulating Envelope Attack, Decay or Release Times:

Positive amounts of modulation increase the time.

Negative amounts of modulation decrease the time.