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References and Bibliography

368

S. Dove, “Consoles and Systems,” Chapter 22 in Handbook for Sound System

Engineers. Indianapolis: Sams & Co., 1987.

J. Eargle, Microphone Handbook. Commack, NY: Elar Publishing, 1981.
J. Eargle, Electroacoustical Reference Data. New York: Van Nostrand Reinhold,

1994.

J. Eargle, Music, Sound & Technology. New York: Van Nostrand Reinhold,

1995.

J. Frayne and H. Wolfe, Sound Recording. New York: John Wiley & Sons, 1949.
M. Gayford, ed., Microphone Engineering Handbook. London: Focal Press, 1994.
R. Glover, “A Review of Cardioid Type Unidirectional Microphones,” Journal of

the Acoustical Society of America 11 (1940), pp. 296–302.

M. Hibbing, “High-quality RF Condenser Microphones,” Chapter 4 in Microphone

Engineering Handbook, ed. M. Gayford. London: Focal Press, 1994.

F. Hunt, Electroacoustics. New York: Acoustical Society of America, 1982.
D. Josephson, “Progress in Microphone Characterization – SC-04–04,” pre-

sented at the 103rd Audio Engineering Society Convention, New York,
September 1997, preprint number 4618.

F. Khalil et al., “Microphone Array for Sound Pickup in Teleconference

Systems,” Journal of the Audio Engineering Society 42, no. 9 (1994).

L. Kinsler et al., Fundamentals of Acoustics. New York: J. Wiley & Sons, 1982.
R. Knoppow, “A Bibliography of the Relevant Literature on the Subject of

Microphones,” Journal of the Audio Engineering Society 33, no. 7/8 (1985).

Y. Mahieux et al., “A Microphone Array for Multimedia Workstations,” Journal

of the Audio Engineering Society 44, no. 5 (1996).

J. Meyer, Acoustics and the Performance of Music, translated by Bowsher and

Westphal. Frankfurt: Verlag Das Musikinstrument, 1978.

J. Monforte, “Neumann Solution-D Microphone,” Mix Magazine (October

2001).

H. Nomura and H. Miyata, “Microphone Arrays for Improving Speech

Intelligibility in a Reverberant or Noisy Space,” Journal of the Audio
Engineering Society 41, no. 10 (1993).

H. Olson, “The Ribbon Microphone,” Journal of the Society of Motion Picture

Engineers 16 (1931), p. 695.

H. Olson, “Line Microphones,” Proceedings of the IRE, vol. 27 (July 1939).
H. Olson, Acoustical Engineering, New York: D. Van Nostrand and Company,

1957. Reprinted by Professional Audio Journals, 1991, PO Box 31718,
Philadelphia, PA 19147–7718.

H. Olson, “Ribbon Velocity Microphones,” Journal of the Audio Engineering

Society 18, no. 3 (June 1970). (Included in AES Anthology, Microphones.)

H. Olson, Modern Sound Reproduction, New York: Van Nostrand Reinhold,

1972.

P. Parkin, “Assisted Resonance,” Auditorium Acoustics. London: Applied

Science Publishers, 1975. pp. 169–179.

S. Paul, “Vintage Microphones,” parts 1, 2, and 3, Mix Magazine (Oct, Nov, and

Dec 1989).

C. Perkins, “Microphone Preamplifiers – A Primer,” Sound & Video Contractor

12, no. 2 (February 1994).

S. Peus, “Measurements on Studio Microphones,” presented at the 103rd Audio

Engineering Society Convention, New York, September 1997, preprint
number 4617.

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S. Peus and O. Kern, “TLM170 Design,” Studio Sound 28, no. 3 (March

1986).

J. Pierce, The Science of Musical Sound. New York: Scientific American Books,

1983.

O. Read, The Recording and Reproduction of Sound. Indianapolis: H. Sams,

1952.

A. Robertson, Microphones. New York: Hayden Publishing, 1963.
J. Sank, “Microphones,” Journal of the Audio Engineering Society 33, no. 7/8

(July/August 1985).

G. Sessler and J. West, “Condenser Microphone with Electret Foil,” Journal of

the Audio Engineering Society 12, no. 2 (April 1964).

D. Shorter and H. Harwood, “The Design of a Ribbon Type Pressure-Gradient

Microphone for Broadcast Transmission,” Research Department, BBC
Engineering Division, BBC Publications, London (December 1955).

H. Souther, “An Adventure in Microphone Design,” Journal of the Audio

Engineering Society 1, no. 2 (1953). (Included in AES Microphone
Anthology.)

J. Steinberg and W. Snow, “Auditory Perspective – Physical Factors,” Electrical

Engineering 53, no. 1 (1934), pp. 12–15 reprinted in AES Anthology of
Stereophonic Techniques (1986).

R. Streicher and W. Dooley, “The Bidirectional Microphone: A Forgotten

Patriarch,” AES 113rd Convention (Los Angeles 5–8 October 2002).
Preprint number 5646.

H. Tremaine, Audio Cyclopedia. 2nd edn. Indianapolis: H. Sams, 1969.
M. van der Wal et al., “Design of Logarithmically Spaced Constant-Directivity

Transducer Arrays,” Journal of the Audio Engineering Society 44, no. 6
(1996).

Various,  Condenser Microphones and Microphone Preamplifiers: Theory and

Application Handbook, published by Brüel & Kjær, 185 Forest Street,
Marlborough, MA 01752 (reprinted May 1977).

Various, A History of Engineering & Science in the Bell System, The Early Years

(1875–1925), Bell Laboratories (1975).

Various, “Shields and Grounds,” Journal of the Audio Engineering Society 43,

no. 6 (June 1995).

J. Webb, “Twelve Microphones that Changed History,” Mix Magazine 21,

no. 10 (October 1997).

B. Weingartner, “Two-Way Cardioid Microphone,” Journal of the Audio

Engineering Society 14, no. 3 (July 1966).

E. Werner, “Selected Highlights of Microphone History,” AES 112th Convention

(Munich, 10–13 May 2002). Preprint number 5607.

R. Werner, “On Electrical Loading of Microphones,” Journal of the Audio

Engineering Society 3, no. 4 (October 1955).

A. Wiggins, “Unidirectional Microphone Utilizing a Variable Distance between

Front and Back of the Diaphragm,” Journal of the Acoustical Society of
America 26 (Sept 1954), pp. 687–602.

G. Wong and T. Embleton, eds, AIP Handbook of Condenser Microphones. New

York: American Institute of Physics, 1995.

A. Zukerwar, “Principles of Operation of Condenser Microphones,” Chapter 3

in AIP Handbook of Condenser Microphones, Wong, G. and Embleton, T.,
eds. New York: AIP Press, 1994.

References and Bibliography

369

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STEREO AND MULTICHANNEL RECORDING

B. Bartlett, Stereo Microphone Techniques. Boston: Focal Press, 1991.
A. Benade, “From Instrument to Ear in a Room: Direct or via Recording,”

Journal of the Audio Engineering Society 33, no. 4 (1985).

A. D. Blumlein, “British Patent Specification 394,325 (Directional Effect in

Sound Systems),” Journal of the Audio Engineering Society 6, (reprinted
1958), pp. 91–98.

J. Borwick, Microphones: Technology and Technique. London: Focal Press,

1990.

J. Bruck, “The KFM 360 Surround Sound – A Purist Approach,” presented at

the 103rd Audio Engineering Society Convention, New York, November
1997. Preprint number 4637.

R. Caplain, Techniques de Prise de Son, (in French). Paris: Editions Techniques

et Scientifiques Françaises, 1980.

C. Ceoen, “Comparative Stereophonic Listening Tests,” Journal of the Audio

Engineering Society 20. no. 1 (1970).

H. Clark et al., “The ‘Stereosonic’ recording and reproduction system,” Journal

of the Audio Engineering Society 6, no. 2 (April 1958).

E. Cohen and J. Eargle, “Audio in a 5.1 Channel Environment,” presented at the

99th Audio Engineering Society Convention, New York, October 1995.
Preprint number 4071.

D. Cooper and J. Bauck, “Prospects for Transaural Recording, Journal of the

Audio Engineering Society 37, no. 1/2 (1989).

J. Culshaw, Ring Resounding. New York: Viking, 1957.
J. Culshaw, Putting the Record Straight. New York: Viking, 1981.
N. Del Mar, Anatomy of the Orchestra, Berkeley and Los Angeles: University of

California Press, 1983.

M. Dickreiter, Tonemeister Technology (translated by S. Temmer) New York:

Temmer Enterprises, 1989.

W. Dooley, Users Guide, Coles 4038 Studio Ribbon Microphone, Pasadena, CA:

Audio Engineering Associates, 1997.

W. Dooley and R. Streicher, “MS. Stereo: A Powerful Technique for Working in

Stereo,” Journal of the Audio Engineering Society 30 (1982), pp. 707–717.

J. Eargle, Handbook of Recording Engineering. Boston: Kluwer Academic

Publishers, 2003.

N. V. Franssen, Stereophony. Eindhoven: Philips Technical Bibliography, 1963.
F. Gaisberg, The Music Goes Round. New York: Macmillan, 1942.
R. Gelatt, The Fabulous Phonograph. New York: Lippincott, 1955.
H. Gerlach, “Stereo Sound Recording with Shotgun Microphones,” Product

usage bulletin, Sennheiser Electronic Corporation, 6 Vista Drive, Old Lyme,
CT (1989).

M. Gerzon, “Periphony: With-Height Sound Reproduction,” Journal of the

Audio Engineering Society 21, no. 1 (1973).

M. Gerzon, “Optimum Reproduction Matrices for Multichannel Stereo,”

Journal of the Audio Engineering Society 40, no. 7/8 (July/August 1992).

M. Hibbing, “XY and MS Microphone Techniques in Comparison,” Sennheiser

News Publication, Sennheiser Electronics Corporation, PO Box 987, Old
Lyme, CT, USA 06371 (1989).

T. Holman, “The Number of Audio Channels,” parts 1 and 2, Surround

Professional Magazine 2, nos. 7 and 8 (1999).

References and Bibliography

370

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T. Holman, 5.1 Channel Surround Up and Running. Woburn, MA: Focal Press,

1999.

U. Horbach, “Practical Implementation of Data-Based Wave Field Reconstruction,”

108th AES Convention (Paris, 2000).

D. Huber and R. Rundstein, Modern Recording Techniques, 4th edn. Boston:

Focal Press, 1997.

ITU (International Telecommunication Union) document ITU-R BS.775.
J. Jecklin, “A Different Way to Record Classical Music,” Journal of the Audio

Engineering Society 29, no. 5 (May 1981).

J. Klepko, “Five-Channel Microphone Array with Binaural Head for

Multichannel Reproduction,” presented at the 103rd AES Convention,
1997. Preprint no. 4541.

W. Kuhl, Acustica 4 (1954), p. 618.
C. Kyriakakis and C. Lin, “A Fuzzy Cerebellar Model Approach for Synthesizing

Multichannel Recording, 113th AES Convention (Los Angeles, 5–8 October
2002). Preprint no. 5675.

C. Kyriakakis and A. Mouchtaris, “Virtual Microphones for Multichannel

Audio Applications,” ICME 2000, New York (October 2000).

E. Madsen, “The Application of Velocity Microphones to Stereophonic

Recording,” Journal of the Audio Engineering Society 5, no. 2 (April 1957).

D. Malham, “Homogeneous and Non-Homogeneous Surround Sound Systems,”

AES UK Second Century of Audio Conference, London (7–8 June 1999).

J. Meyer and T. Agnello, “Spherical Microphone Array for Spatial Sound

Recording,” 115th AES Convention (New York, 10–13 October 2003).
Preprint no. 5975.

D. Mitchell, “Tracking for 5.1,” Audio Media Magazine, October 1999.
C. O’Connell, The Other Side of the Record. New York: Knopf, 1941.
L. Olson, “The Stereo-180 Microphone System,” Journal of the Audio

Engineering Society 27, no. 3 (1979).

A. Previn, Andre Previn’s Guide to the Orchestra. London: Macmillan, 1983.
O. Read and W. Welch, From Tinfoil to Stereo. Indianapolis: Sams, 1959.
E. Schwarzkopf, On and Off the Record: A Memoire of Walter Legge, New

York: Scribners, 1982.

W. Snow, “Basic Principles of Stereophonic Sound,” Journal of the Society of

Motion Picture and Television Engineers 61 (1953), pp. 567–589.

R. Streicher and F. Everest, The New Stereo Soundbook. Pasadena, CA: Audio

Engineering Associates, 1999.

G. Theile, “Main Microphone Techniques for the 3/2-Stereo-Standard,” pre-

sented at the Tonmeister Conference, Germany, 1996.

G. Theile, “Multichannel Natural Recording Based on Psychoacoustical Principles,”

presented at the 108th AES Convention (Paris 2000). Preprint no. 5156.

G. Theile, “On the Naturalness of Two-Channel Stereo Sound,” Proceedings of

the AES 9th International Conference, Detroit, Michigan (pp. 143–149).

M. Thorne, “Stereo Microphone Techniques,” Studio Sound 15, no. 7 (1973).
M. Tohyama et al., The Nature and Technology of Acoustical Space, Academic

Press, London (1995).

Various, Stereophonic Techniques, an anthology published by the Audio

Engineering Society, New York (1986).

M. Williams, “Microphone Array analysis for Multichannel Sound Recording,”

presented at the 107th Audio Engineering Society Convention, New York,
September 1999. Preprint no. 4997.

References and Bibliography

371

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M. Williams, “Unified Theory of Microphone Systems for Stereophonic Sound

Recording,” Audio Engineering Society. Preprint no. 2466 (1987).

W. Woszczyk, “A Microphone Technique Applying to the Principle of Second-

Order Gradient Unidirectionality,” Journal of the Audio Engineering
Society 32, no. 7/8 (1984).

T. Yamamoto, “Quadraphonic One-Point Pickup Microphone,” Journal of the

Audio Engineering Society 21, no. 4 (1973).

“Das Mikrofon,” Compact Disc, Tacet 17; Nauheimer Strasse 57, D-7000

Stuttgart 50, Germany (1991).

COMMUNICATIONS AND SOUND REINFORCEMENT

AKG Acoustics WMS300 Series Wireless Microphone System, AKG Acoustics,

1449 Donelson Pike, Nashville, TN 37217 (1997).

G. Ballou, ed., Handbook for Sound Engineers. Indianapolis: H. Sams, 2002.
B. Beavers and R. Brown, “Third-Order Gradient Microphone for Speech

Reception,” Journal of the Audio Engineering Society 16, no. 2 (1970).

C. P. Boner and C. R. Boner, “Equalization of the Sound System in the Harris

County Domed Stadium,” Journal of the Audio Engineering Society 14,
no. 2 (1966).

C. P. Boner and R. E. Boner, “The Gain of a Sound System,” Journal of the Audio

Engineering Society 17, no. 2 (1969).

D. and C. Davis, Sound System Engineering, 2nd edn., Boston: Focal Press,

1997.

D. Dugan, “Automatic Microphone Mixing,” Journal of the Audio Engineering

Society 23, no. 6 (1975).

Y. Ishigaki et al., “A Zoom Microphone,” Audio Engineering Society preprint

no. 1713 (1980).

D. Klepper, “Sound Systems in Reverberant Rooms for Worship,” Journal of the

Audio Engineering Society 18, no. 4 (1970).

H. Tremaine, The Audio Cyclopedia, 2nd edn. Indianapolis: H. Sams, 1969.

Various, Sound Reinforcement, Volumes 1 and 2 (ed. D. Klepper); reprinted
from the pages of the Journal of the Audio Engineering Society (1978 and
1996).

T. Vear, Selection and Operation of Wireless Microphone Systems, Shure, Inc.,

222 Hartrey Avenue, Evanston, IL 60202 (2003).

S. Woolley, “Echo Cancellation Explained,” Sound & Communications (January

2000).

References and Bibliography

372

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