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one of the many differences between them), she would say that it was in her throat, because it stopped
her from eating, and made her feel as though she were constantly on the verge of tears—when she
wasn’t actually crying.
And that was it, more or less. What Will had been most frightened of—apart from Fiona asking him
about the point (a subject that never even came close to showing its face, probably because it was clear
in
his
face and even in his life that he didn’t have a clue)—was that there was going to be a cause of all
this misery, some dark secret, or some terrible lack, and he was one of the only people in the world who
could deal with it, and he wouldn’t want to, even though he would have to anyway. But it wasn’t like
that at all; there was nothing—if life, with its attendant disappointments and compromises and bitter
little defeats, counted as nothing. Which it probably didn’t.
They got a taxi back to Fiona’s place. The cabbie was listening to GLR, and the disc jockey was
talking about Kurt Cobain; it took Will a while to understand the strange, muted tone in the DJ’s voice.
‘What’s happened to him?’ Will asked the cabbie.
‘Who?’
‘Kurt Cobain.’
‘Is he the Nirvana geezer? He shot himself in the head. Boom.’
‘Dead?’
‘No. Just a headache. Yeah, course he’s dead.’
Will wasn’t surprised, particularly, and he was too old to be shocked. He hadn’t been shocked by the
death of a pop star since Marvin Gaye died. He had been… how old? He thought back. The first of April
1984… Jesus, ten years ago, nearly to the day. So he had been twenty-six, and still of an age when
things like that meant something: he probably sang Marvin Gaye songs with his eyes closed when he
was twenty-six. Now he knew that pop stars committing suicide were all grist to the mill, and the only
consequence of Kurt Cobain’s death as far as he was concerned was that
Nevermind
would sound a lot
cooler. Ellie and Marcus weren’t old enough to understand that, though. They would think it all meant
something, and that worried him.
‘Isn’t he the singer Marcus liked?’ Fiona asked him.
‘Yeah.’
‘Oh, dear.’
Suddenly Will was fearful. He had never had any kind of intuition or empathy or connection in his life
before, but he had it now. Typical, he thought, that it should be Marcus, rather than Rachel or someone
who looked like Uma Thurman, who brought it on. ‘I’m not being funny, but can I come in with you to
listen to Marcus’s answerphone message? I just want to hear that he’s OK.’
But he wasn’t, really. He was calling from a police station in a place called Royston, and he sounded
little and frightened and lonely.
Thirty-Three
They didn’t talk on the train at first; every now and again Ellie would give a small sob, or threaten to
press the emergency stop button, or threaten to do things to the people who looked at her when she
swore or swigged from her bottle of vodka. Marcus felt exhausted. It was now perfectly clear to him
that, even though he thought Ellie was great, and even though he was always pleased to see her at
school, and even though she was funny and pretty and clever, he didn’t want her to be his girlfriend. She
just wasn’t the right sort of person for him. He really needed to be with someone quieter, someone who
liked reading and computer games, and Ellie needed to be with someone who liked drinking vodka and
swearing in front of people and threatening to stop trains.
His mum had explained to him once (perhaps when she was going out with Roger, who wasn’t like her
at all) that sometimes people needed opposites, and Marcus could see how that might work: if you
thought about it, right at this moment Ellie needed someone who was going to stop her from pressing the
button more than she needed someone who loved pressing buttons, because if she was with someone
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who loved pressing buttons, they would have pressed it by now and they’d be on their way to prison.
The trouble with this theory, though, was that actually it wasn’t an awful lot of fun being the opposite of
Ellie. It
had
been fun sometimes—at school, where Ellie’s…
Ellieness
could be contained. But out in
the world it was no fun at all. It was frightening and embarrassing.
‘Why does it matter so much?’ he asked her quietly. ‘I mean, I know you like his records and
everything, and I know it’s sad because of Frances Bean, but—’
‘I loved him.’
‘You didn’t know him.’
‘Of course I knew him. I listened to him sing every single day. I wear him every single day. The things
he sings about, that’s him. I know him better than I know you. He understood me.’
‘He
understood
you?’ How did that work? How did someone you had never met understand you?
‘He knew what I felt, and he sang about it.’
Marcus tried to remember some of the words to the songs on the Nirvana record that Will had given
him for Christmas. He had only ever been able to hear little bits: ‘I feel stupid and contagious.’ ‘A
mosquito.’ ‘I don’t have a gun.’ None of it meant anything to him.
‘So what were you feeling?’
‘Angry.’
‘What about?’
‘Nothing. Just… life.’
‘What about life?’
‘It’s shit.’
Marcus thought about that. He thought about whether life was shit, and whether Ellie’s life in
particular was shit, and then he realized that Ellie spent her whole time wanting life to be shit, and then
making life shit by making things difficult for herself. School was shit because she wore her sweatshirt
every day, which she wasn’t allowed to do, and because she shouted at teachers and got into fights,
which upset people. But what if she didn’t wear her sweatshirt and stopped shouting at people? How shit
would life be then? Not very, he thought. Life was really shit for him, what with his mum and the other
kids at school and all that, and he’d give anything to be Ellie; but Ellie seemed determined to turn
herself into him, and why would anyone want to do that?
Somehow it reminded him of Will and his pictures of dead drug-takers; maybe Ellie was like Will. If
either of them had real trouble in their lives, they wouldn’t want or need to invent it for themselves, or
put pictures of it on the walls.
‘Is that really true, Ellie? Do you really think life is shit?’
‘Course.’
‘Why?’
‘Because… because the world is sexist and racist and full of injustice.’
Marcus knew this was true—his mum and dad had told him so often enough—but he wasn’t
convinced that this was what made Ellie angry.
‘And is that what Kurt Cobain thought?’
‘I don’t know. Probably.’
‘So you’re not sure that he felt the same way as you.’
‘He sounded as though he did.’
‘Do you feel like shooting yourself?’
‘Of course. Sometimes, anyway.’
Marcus looked at her. ‘That’s not true, Ellie.’
‘How do you know?’
‘Because I know how my mum feels. And you don’t feel like that. You’d like to think you do, but you
don’t. You have too good a time.’
‘I have a shit time.’
‘No. I have a shit time. Apart from the time I spend with you. And my mum has a shit time. But you…
I don’t think so.’
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‘You don’t know anything.’
‘I know some things. I know about that. I’ll tell you, Ellie, you don’t feel anything like my mum, or
Kurt Cobain. You shouldn’t say that you feel like killing yourself when you don’t. It’s not right.’
Ellie shook her head and laughed her low nobody-understands-me laugh, a noise that Marcus hadn’t
heard since the day they met outside Mrs Morrison’s office. She was right, he hadn’t understood her
then; he understood her much better now.
They sat in silence for a couple of stops. Marcus looked out of the window and tried to work out how
to explain Ellie to his dad. He hardly noticed when the train pulled in at Royston station, and he wasn’t
even completely alert when Ellie suddenly stood up and jumped off the train. He hesitated for a moment,
then, with a horrible sick feeling, he jumped off after her.
‘What are you doing?’
‘I don’t want to go to Cambridge. I don’t know your dad.’
‘You didn’t know him before, and you wanted to come then.’
‘That was before. Everything’s different now.’
He followed her; he wasn’t going to let her out of his sight. They walked out of the station, up a side
road and then on to the High Street. They walked past a chemist and a greengrocer’s and a Tesco, and
then they came to a record shop which had a big cardboard cut-out of Kurt Cobain in the window.
‘Look at that,’ said Ellie. ‘Bastards. They’re trying to make money out of him already.’
She took off one of her boots, and threw it at the glass as hard as she could. She cracked it first time,
and Marcus found himself thinking about how shop windows in Royston were much weedier than shop
windows in London before he realized what was going on.
‘Shit, Ellie!’
She picked up the boot and used it as a hammer, carefully smashing a hole big enough to lean through
without hurting herself, and rescued Kurt Cobain from his record-shop prison.
‘There. He’s out.’ She sat down on the kerb outside the shop, holding Kurt to her as if he were a
ventriloquist’s dummy, and smiling this weird little smile to herself; meanwhile Marcus panicked. He
charged up the road, intending to run all the way back to London or on to Cambridge, whichever
direction he was heading. After a few yards, however, his legs went all shaky, and he stopped, took a
few deep breaths, and went back to sit with her.
‘What did you do that for?’
‘I dunno. It just didn’t seem right, him being in there on his own.’
‘Oh, Ellie.’ Once again, Marcus was left with the feeling that Ellie didn’t have to do what she had just
done, and that she had brought the trouble she was in upon herself. He was tired of it. It wasn’t real, and
there was enough real trouble in the world without having to invent things.
The street had been quiet when Ellie broke the window, but the noise of breaking glass had woken
Royston up, and a couple of people closing up their shops had run down to see what was going on.
‘Right, you two. Stay there,’ said a guy with long hair and a suntan. Marcus reckoned he had to be a
hairdresser or someone who worked in a boutique. He wouldn’t have been able to work something like
that out a while ago, but if you hung around with Will long enough you picked stuff up.
‘We’re not going anywhere, are we, Marcus?’ said Ellie sweetly.
When they were sitting in the police car Marcus remembered the day he had walked out of school, and
the future he had predicted for himself that afternoon. He’d been right, in a way. His whole life had
changed, just as he thought it would, and he was almost certain now that he would become a tramp or a
drug addict. He was already a criminal. And it was all his mum’s fault! If his mum hadn’t complained to
Mrs Morrison about the shoes, then he would never have got cross with Mrs Morrison for suggesting
that he should keep out of the way of the kids who were giving him a hard time. And then he wouldn’t
have walked out, and… and he would never have met Ellie that morning. Ellie had something to answer
for here. It was Ellie, after all, who had just chucked a boot at a plate-glass window. The point was that
once you had become a truant, you started hanging out with people like Ellie, and getting into trouble,
and being arrested and taken to Royston police station. Now there was nothing he could do about it.
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The policemen were nice, really. Ellie had explained to them that she wasn’t a hooligan or on drugs;
she was simply making a protest, which was her right as a citizen, about the commercial exploitation of
Kurt Cobain’s death. The policemen thought this was funny, which Marcus took as a good sign,
although it made Ellie very angry indeed: she told them they were patronizing, and they looked at each
other and laughed a bit more.
When they got to the station, they were shown into a little room, and a policewoman came in and
started talking to them. She asked them their ages and addresses, and what they were doing in Royston.
Marcus tried to explain about his dad and the window-ledge and the big think and Kurt Cobain and the
vodka, but he could see that it was all a bit of a muddle, and that the policewoman couldn’t understand
what his dad’s accident had to do with Ellie and the shop window, so he gave up.
‘He didn’t do anything,’ Ellie suddenly said. She didn’t say it in a nice way, either; she said it as if he
should have done something but didn’t. ‘I got off the train and he followed me. I broke the window. Let
him go.’
‘Let him go where?’ the policewoman asked her. It was a very good question, Marcus thought, and he
was glad that she’d asked it. He didn’t especially want to be let go in Royston. ‘We’ve got to phone one
of his parents. We’ve got to phone yours too.’
Ellie glared at her and the policewoman glared back. There didn’t seem much else to say. They knew
the crime and the identity of the criminal; the said criminal had been apprehended and was in the police
station, so they sat and waited in silence.
His dad and Lindsey were the first to turn up. Lindsey had had to drive, because of the broken collar
bone, and she hated driving, so they were both in a bit of a state: Lindsey was tired and nervy, and his
dad was grumpy and in pain. He didn’t look like a man who’d had a big think, and he certainly didn’t
look like a man who until very recently had been desperate to see his only son.
The policewoman left them alone. Clive slumped on a bench that ran along one side of the room, and
Lindsey sat down next to him, looking at him with concern.
‘That was just what I needed. Thank you, Marcus.’
Marcus looked at his dad unhappily.
‘He didn’t
do
anything,’ said Ellie impatiently. ‘He was trying to help me.’
‘And who exactly are you?’
‘
Who exactly?
’ Ellie was taking the piss out of his dad. Marcus didn’t think that was a particularly
good idea, but he was tired of wrestling with Ellie. ‘Who
exactly
? I’m Eleanor Toyah McCrae, aged
fifteen years seven months. I live at twenty-three…’
‘What are you doing messing around with Marcus?’
‘I’m not messing around with him. He’s my friend.’ This was news to Marcus. He hadn’t felt Ellie
was his friend since they got on the train. ‘He asked me to come with him to Cambridge, because he
wasn’t looking forward to a heart-to-heart with a father he feels doesn’t understand him and who has
abandoned him at a time when he needed him most. Great, aren’t they, men? You’ve got a mother who
wants to top herself and they’re not interested. But they fall off a fucking window-sill and suddenly
you’re summoned for a talk about the meaning of life.’
Marcus slumped on the table and put his head in his hands. He was suddenly very, very tired; he didn’t
want to be with any of these people. Life was hard enough without Ellie shooting her mouth off.
‘Whose mum wants to top herself?’ Clive asked.
‘Ellie’s,’ said Marcus firmly.
Clive looked at Ellie with interest.
‘Sorry to hear that,’ he said, without sounding either sorry or even particularly interested.
‘That’s OK,’ said Ellie. She took the hint and said nothing for a while.
‘I suppose you blame me for all this,’ said his father. ‘I suppose you think that if I’d stayed with your
mother you wouldn’t have gone off the rails. And you’re probably right.’ He sighed, and Lindsey took
his hand and stroked it sympathetically.
Marcus sat bolt upright. ‘What are you talking about?’
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‘I’ve messed you up.’
‘All I did was get off a train,’ said Marcus. His tiredness had vanished now. It had been replaced by
the kind of anger which he didn’t feel very often, an anger that gave him the strength to argue with
anyone of any age. He wished you could buy this stuff in bottles, so he could keep it in his desk at
school and sip from it throughout the day. ‘What’s going off the rails about getting off a train? Ellie’s
off the rails. She’s nuts. She just broke a window with her boot because it had a photo of a pop star in it.
But I haven’t done anything. And I don’t care if you left home or not. It doesn’t make any difference to
me. I’d have got off the train if you were still with Mum because I wanted to try and look after my
friend.’ That wasn’t quite right, actually, because if his mum and dad were still together, he wouldn’t
have been on the train in the first place, unless he’d been going to Cambridge with Ellie for some other
reason that he couldn’t imagine. ‘I suppose you are a useless father, and that doesn’t help a kid very
much, but you’d have been a useless father wherever you were living, so I don’t see what difference it
makes.’
Ellie laughed. ‘Yay, Marcus! Cool speech!’
‘Thank you. I rather enjoyed making it.’
‘You poor kid,’ said Lindsey.
‘And you can shut up,’ said Marcus. Ellie laughed even harder. It was the anger juice talking—poor
Lindsey had never done anything wrong, particularly—but it still felt good.
‘Can we go now?’ Ellie asked.
‘We have to wait for your mother,’ said Clive. ‘She’s coming with Fiona. Will’s driving them up.’
‘Oh, no,’ said Marcus.
‘Fucking hell,’ said Ellie, and Marcus groaned. The four of them sat there staring at each other,
waiting for the next scene in what was beginning to feel like a never-ending play.
Thirty-Four
Life was, after all, like air. Will could have no doubt about that any more. There seemed to be no way
of keeping it out, or at a distance, and all he could do for the moment was live it and breathe it. How
people managed to draw it down into their lungs without choking was a mystery to him: it was full of
bits. This was air you could almost chew.
He rang Rachel from Fiona’s flat while Fiona was in the bathroom, and this time she answered the
phone.
‘You were never going to come, were you?’
‘Well—’
‘Were you?’
‘No. I thought… I thought it might do you some good. Did I do a terrible thing?’
‘I guess not. I guess it did me some good.’
‘So there you are.’
‘But as a general rule—’
‘As a general rule, I’ll turn up when I say I’m going to.’
‘Thank you.’
He told Rachel about Marcus and Ellie, and promised to keep her informed. The moment he’d put the
phone down Ellie’s mother Katrina called and spoke to Fiona, and then Fiona spoke to Clive, and then
she called Katrina back to offer her a lift to Royston with them, and then Will went home to get his car,
and they drove off to look for Ellie’s house.
While Fiona was collecting Ellie’s mum, Will sat in the car listening to Nirvana and thinking about the
Dead Duck Day. Something about now was reminding him of then; there was that same sense of
unpredictability and absorption and chaos. The main difference was that today wasn’t as… well, as
enjoyable. It wasn’t that Fiona’s attempted suicide had been a riot of fun and laughter; it was just that he
neither knew nor cared about any of them then, and it had been possible for him to observe, with a
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