Файл: Morpheus_Operation_Manual.pdf

Z-PLANE FILTER DESCRIPTIONS

F014 Flng>Flng3b

Morph: Sweeps from flange 1 to 2

Freq. Tracking: Provides key tracking to enhance flanging

Transform 2: Increases depth of flange

Comments: A gentle sweeper.

F015: Flng>Flng4

Morph: Sweeps flange

Freq. Tracking: Provides key tracking to enhance flanging.

Transform 2: Reduces depth of flange effect with Morph offset, otherwise, increases flange depth.

F016 Flng>Flng5

Morph: Sweeps from flange 1 to 2

Freq. Tracking: Provides key tracking to enhance flanging. Transform 2: Increases depth of flange, more bell-like.

Comments: Morphing sweeps gently, but Transform 2 adds more depth and introduces a bell-like quality to the flange.

F017 Flng>Flng6

Morph: Sweeps from flange 1 to 2.

Freq. Tracking: Provides key tracking to fix partials.

Transform 2: Provides more brightness and flange.

F018 Flng>FlngT

Morph: Sweeps between flat and flange.

Freq. Tracking: Provides key tracking to fix partials. Transform 2: Provides more brightness and flange.

Comments: A gentle-touch flanger. Low Transform 2 gives a soft chorus on morphing. Higher Transform 2 gives exaggerated depth.

F019 Flng>FlngC

Morph: Sweeps from open to closed response with all other axes at 0.

Freq. Tracking: Controls brightness. Transform 2: Adds extra flange.

F020 CO>FlngT

Morph: Sweeps from a reveal (almost flat) point to low pass peaks

Freq. Tracking: Raises frequency of peaks.

Transform 2: Increases depth of flange.

Z-PLANE FILTER DESCRIPTIONS

DIPTHONGS

Implemented with parametric equalizer subsections, the resonances do not have the traditional overall lowpass effect that a true vocal resonance would have. Instead, they are placed at the same frequency as the resonances would be found in a true vowel, but the response at high frequencies is essentially flat to allow high frequencies of the samples to get through the filter.

The Morph axis controls movement between vowels. Key tracking is controlled by Frequency Tracking. Brightness and depth of effect is controlled by Transform 2. In certain filters, brightness is controlled by assigning velocity to Frequency Tracking. Each paravowel “A” contains peaks at 800 1150, 2800, 3500 and 4950Hz. Each paravowel “E” contains peaks at 400, 1600, 2700, 3300 and 4900Hz. Each “O” has peaks at 450, 800, 2830, 3500 and 4950Hz. Each “U” has peaks at 325, 700, 2530, 3500 and 4950Hz.

F021 AEParLPVow

This paravowel has a low pass filter to provide additional roll off, when desired. Otherwise, it behave as the other paravowels.

Morph: Controls movement between vowels. Try setting Transform 2 to 255 for additional brightness.

Freq. Tracking: Shifts all of the resonances up in frequency. Transform 2: Controls volume, depth of effect.

F022 AEParaVowel

Morph: Controls movement between vowels. Try setting Transform 2 to 255.

Freq. Tracking: Shifts all of the resonances up in frequency.

Transform 2: Controls the amplitude of all of the resonances, with 000 providing the lowest resonance amplitude, and 255 providing the highest resonance amplitude.

F023 AOLpParaVow

This paravowel has a low pass filter to provide additional roll off, when desired. Otherwise, it behaves as the other paravowels.

Morph: Controls movement between vowels. Try setting Transform 2 to 255.

Freq. Tracking: Shifts all of the resonances up in frequency. Transform 2: Controls the amplitude of all of the resonances.

F024 AOParaVowel

Morph: Controls movement between vowels.

Freq. Tracking: Shifts all of the resonances up in frequency.

Transform 2: Controls the amplitude of all of the resonances.

178 Morpheus Operation Manual

Z-PLANE FILTER DESCRIPTIONS

F025 AUParaVow.4

Morph: Controls movement between vowels.

Freq. Tracking: Shifts all of the resonances up in frequency.

Transform 2: Controls the amplitude of all of the resonances.

F026 UOParaVow.4

Morph: Controls movement between vowels.

Freq. Tracking: Shifts all of the resonances up in frequency.

Transform 2: Controls the amplitude of all of the resonances.

F027 SftEOVowel4

Morph: Controls movement between vowels.

Freq. Tracking: Shifts all of the resonances up in frequency.

Transform 2: Controls the amplitude of all of the resonances.

F028 SoftEOAE

Morph: Controls movement between vowels.

Freq. Tracking: Shifts all of the resonances up in frequency.

Transform 2: Controls the amplitude of all of the resonances.

F029 Vocal Cube

Morph: Sweeps frequencies.

Freq. Tracking: Assign to velocity for brightness control.

Transform 2: Tunes filter.

F030 C1-6 Harms4

Morph: Sweeps between a notch at 190Hz to a series of closely spaced peaks from 120Hz to 640Hz

Freq. Tracking: Tracks filter with keyboard. Try assigning velocity to Frequency Tracking for brightness control.

Transform 2: Not used.

F031 Voce.4

Morph: Controls movement between “oo” and “ee”.

Freq. Tracking: Designed for velocity control of brightness. (Transforms to frequencies two octaves higher.)

Transform 2: Not used.

F032 ChoralComb4

Morph: Sweeps between different frequency notches tuned for vocal formants.

Freq. Tracking: Tracks filter with keyboard range.

Transform 2: Not used.

Z-PLANE FILTER DESCRIPTIONS

F033 Bassutoi.4

Morph: Controls movement between “yu” and “ee”.

Freq. Tracking: Tracks filter with keyboard range and controls brightness with velocity assigned.

Transform 2: Not used.

F034 Be Ye.4

Designed to say “Be Ye”. Morph: Sweeps vocal formants.

Freq. Tracking: Tracks filter with keyboard range and controls brightness with velocity assigned.

Transform 2: Not used.

F035 Ee-Yi.4

Morph: Controls movement between vowels “e” and “i”.

Freq. Tracking: Tracks filter with keyboard range and controls brightness with velocity assigned.

Transform 2: Not used.

F036 Ii-Yi.4

Morph: Controls movement between vowels.

Freq. Tracking: Tracks filter with keyboard range and controls brightness with velocity assigned.

Transform 2: Not used.

F037 Uhrrrah.4

Morph: Roars like a lion.

Freq. Tracking: Tracks filter with keyboard range and controls brightness with velocity assigned.

Transform 2: Not used.

F038 YeahYeah.4

See “What Yeah” preset.

Morph: Moves between “ee” and “ya” sounds.

Freq. Tracking: Tracks filter with keyboard range and controls brightness when assigned to velocity.

Transform 2: Not used.

F039 Vow>Vow1

Morph: Sweeps between “ah” and “oh”.

Freq. Tracking: Provides key tracking to balance keyboard brightness.

Transform 2: Provides volume and brightness control with velocity and/or key position.

Comments: Transform 2 increases volume and depth of vowel effect.

180 Morpheus Operation Manual