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6 - Sample Edit

Parametric Equalizer

O A standard analog parametric equalizer may be useful in order to locate the frequencies which need EQ. The digital EQ can then be used to actually filter the sample with ultra-low noise and phase linear response.

If you pressed OK, the parametric equalizer parameters are displayed.

+12 dB

Freq.

 

 

Boost

Amplitude

Bandwidth

 

0 dB

 

Cut

 

-48 dB

Frequency

Gain: Controls “how much” boost or cut will be applied to the signal.

Center Frequency: Selects the center frequency to be boosted or cut.

Bandwidth: Sets the width of the band to be boosted or cut.

7.Specify the parametric equalizer parameters using the Data Entry Control or the INC/DEC keys.

Coarse/Fine: Fast forward through the values using Coarse, then switch to Fine for single digit editing.

8.Press OK to process the sample section or Cancel to cancel the operation.

226 E-MU Systems


6 - Sample Edit

FIR (Phase Linear Filter)

O Holding down the Enter key while turning the Data Entry Control allows “fine tuning” of the value by one number per click.

FIR (Phase Linear Filter)

The phase linear filter was originally developed on the EIII to separate the attack and sustain portions of piano samples. Ordinary filters cause serious phase distortion at the cutoff point. This FIR filter has much less phase distortion than a typical filter and so is better suited for sample splicing. The phase linear filter acts on the ENTIRE sample, unlike the parametric filter which can filter any portion of the sample. This ensures strict phaselinearity. There are five types of phase linear filters available: Lowpass,

Highpass, Bandpass, Allpass and Notch.

The Points parameter determines the Quality or Q of the filter. The larger the Point value, the more the filter behaves like an ideal filter and the steeper the filter slope. The Points parameter is variable from 5 to 99.

The Frequency parameter determines the cutoff frequency of the filter and is calibrated in Hertz. When Bandpass or Notch filters are selected, a second frequency field appears to allow you to specify the frequencies on either side of the passband or notch.

The Allpass filter is a special purpose filter that is used to add delay to a sample before it is recombined with a filtered sample. Recombining allows you to perform band-splitting or frequency boosting instead of frequency attenuation.

v To Filter a Sample:

1.Press the Sample Edit key. The LED illuminates and the main sample edit screen appears.

2.Select the sample that you want to equalize using the Data Entry Control, INC/DEC keys, or the numeric keypad.

3.Press the Tools 3 function key (F4). Another row of function keys appears.

4.Press the FIR function key (F4). The following screen appears.

5.Select the filter Type: Lowpass, Highpass, bandpass, Notch or Allpass.

6.Set the filter slope by adjusting the Points parameter. The higher the number, the steeper the filter slope.

7.Set the Frequency parameter to the desired frequency. If you chose the Bandpass or Notch filters, the Frequency 2 field will appear, allowing you to set the lower frequency in the range.

8.Press OK to filter the sample or Cancel to cancel the operation.

EOS 4.0 Software Manual 227


6 - Sample Edit

FIR (Phase Linear Filter)

Alternate Filter Responses

Low Shelving Boost - Add Lowpass with original signal.

High Shelving Boost - Add Highpass with original signal.

Band Boost - Add Bandpass with original signal.

 

+20dB

 

 

 

 

 

 

 

 

 

 

 

+10dB

 

 

 

Filter Size and Slope

 

 

0dB

 

 

 

 

 

 

 

 

 

 

Attenuation

-10dB

 

 

 

 

 

 

5 points

 

 

-20dB

 

 

 

 

 

 

 

 

 

99 points

 

 

 

 

 

 

 

-30dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-40dB

 

 

 

 

 

 

 

 

 

 

-50dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

-60dB

 

 

 

 

 

 

 

 

 

 

 

-70dB

 

 

 

 

 

 

 

 

 

 

 

-80dB

 

 

 

 

 

 

 

 

 

 

 

0

0.1

0.2

0.3

0.4

0.5

0.6

0.7

0.8

0.9

1

 

 

 

 

Frequency

(rad x pi)

 

 

 

This chart shows the relationship between the filter Points and Slope.

The Allpass filter can be used to achieve complex formants, notches or frequency boosts by copying, filtering and adding the original sample to the filtered version. When adding filtered signals with the FIR, each signal must be processed through the same number of points to preserve phaselinearity. The diagram below shows the incorrect and correct ways to add signals together.

 

Creating a Low Frequency Boost EQ

Sample

Low Pass

 

50 Pts.

 

Sum

Copy of

Signals Add

Sample

Out of Phase

Sample

Low Pass

Sum

 

50 Pts.

 

 

Copy of

All Pass

Sample

50 Pts.

 

Signals Add

In Phase

The signal is passed through the Phase-linear filter and recombined with the original signal to create a low frequency boost. Because of the filtering, the two signals are now out of phase. The Allpass filter, set to the same point size, is used to correct the problem.

228 E-MU Systems



6 - Sample Edit

Aphex Aural Exciter

Aphex Aural Exciter

This process adds brilliance and “cut” to a sample, making it stand out in a mix. This effect is quite effective on vocal samples to which it adds sheen, clarity and presence. The Aphex Aural Exciter® works by generating new high order harmonics related to the source material.

v To Add Excitement to a Sample:

1.Press the Sample Edit key. The LED illuminates and the main sample edit screen appears.

2.Select the sample that you want to aural excite using the Data Entry Control or the INC/DEC keys.

3.Press the Tools 3 function key (F4). Another row of function keys appears.

If the sample is stereo, a 4. Press the AX function key (F5). The standard Start & End Point

pop up dialog box will ask you

 

selection screen appears.

to select left, right or both sides.

5.

Specify the Start and End points for the effect

 

 

6.

Press OK to continue or Cancel to cancel the operation.

 

 

 

 

 

 

 

 

The Aphex Aural Exciter parameters are as follows:

Amount: Sets the intensity of the effect. Lower values (<40%) tend to work best as they keep the effect subtle.

Tune: Sets the frequency range of the effect. Higher numbers emphasize higher frequencies.

Fade In: Sets the amount of time from the start point for the effect to fade in to the programmed amount.

Fade Out: Sets the amount of time before the end point that it will take for the effect amount to fade out to zero.

7.Specify the Exciter parameters using the Data Entry Control or the INC/ DEC keys.

8.Press OK to process the sample or Cancel to cancel the operation.

®The Aphex Aural Exciter has been licensed from Aphex Systems, Ltd. and is protected under U.S. Patent #4150253.

EOS 4.0 Software Manual 229