ВУЗ: Не указан
Категория: Не указан
Дисциплина: Не указана
Добавлен: 19.06.2019
Просмотров: 133
Скачиваний: 1
When I was forteen the shore of our way (the shore far away) to get gales of mirth of any of my parent’s generations шо ты блеешь thought is was to mention the music of Rodgers and Hammerstein - sentimental turtle let's say, carousel, no, no chance, no hope. Бля бля Victorian architecture that would be rage，pretty much apoplectic rage, anger, but if you really wanted to calls up for all if you really wanted people to choke into their fondue sets, you mentioned the Pre-Raphaelites. I became very excited about the whole Victorian movement, I loved this so called unfashionable buildings. Of course people like John Batchman were beginning to crusade for them. And so I supposed I join the crusade with a great excited heart and that when I discovered the Pre-Raphaelites. Who were these people who painted these extraordinary doomed women (обреченных), who painted these pictures of their time with huge moral messages, who were they, should we find out?
The Pre-Raphaelite Brotherhood or PRB for short was founded in secret in 1848 and numbered just seven people, of the original group three a famous: John Everett Millais – the youngest ever entrant to the Royal Academy of Art, the Christian visionary - William Holman Hunt and Dante Gabriel Rossetti – a man who soon developed the reputation for getting rather too entangled with the women he painted. All of them were around 20 years old and they were determined to shake up Victorian London.
I’m on my way to the house in Gas Street (или какая-то там стрит) where the Pre-Raphaelite Brotherhood was founded in 1848. In fact it was the house of Millais' parents. I think that there was a little less traffic in those days. The guys put it plaque on the door, saying “PRB”. Some people go thought in mean please ring the bell, others, who were really insiders, knew that it was about ризети опять какие-то пенисы rather better.
Today it’s an office, but once upon a time the back room was William’s studio filled with canvas, paint brushes and bric-a-brac (безделушки). Here’s a group studied in graving in work by artist to the past (тут точно что-то не так), especially those before Renaissance painters like Rafael，hence the term “Pre-Raphaelite” (отсюда термин).
This is an addition of the Compasso d'oro (компас онто) engravings by Коли Лесинио. It’s the book that the Brotherhood pored over time and time and time again and the quest to find out what painting before Rafael was really like. Their aim was to take art out of the establishment and give it back to the people. This was a world away from High Renaissance paintings commission by wealthy nobleman of the church. What these engravings offered were pictures of real people faces the artists ла-ла-ла on the street engaged in conversation. And so the Pre-Raphaelites decided to do the same, using real people in dramatic situations to tell human stories that ordinary people could understand. Their paintings are I'm afraid to tackle the big themes they were about love, death, history, myth legend, religion, morality and above all - there were about psychological drama whether it's a proposal of marriage,a betrayal or death threat (угроза смерти). This is delays painting Lorenzo and Isabela here in the Walker Art Gallery in Liverpool and is one of the very first pictures in which the monogram of the Pre-Raphaelite Brotherhood first prominently appeared. You can see the letters PRB at the foot of Isabela’s stool. The subject matter comes from a poem by Keats. Isabella is a daughter of a wealthy Florentine merchant (торговец). She wants to marry Lorenzo (the man sitting next to her) but he's only a lonely clerk (клерк) in the family business. And her brothers have other ideas, Isabella will not be allowed to marry beneath her. So her brothers murder Lorenzo to prevent the couple eloping. This is an omer killing( умышленное убийство что-ли\ Гомор). Like the medieval painters before him Millias used real people as a models : his sister-in-law (невестка),his father and his friend. Even резети gets a looking, draining a wine glass at the back.
Frankly you could say that Millais composition is pretty ropey, the legs very awkward but the Sony Pictures shows what the Brotherhood was about.
6:18
the vivid colors (яркие цвета) result from that technique of over painting a canvas that have(had) been previously prime with white it became their trademark. This picture may look like a medieval painting but it is designed to have
contempory meaning. Thhis is more than a simple narrative painting.it is a protest against restrictive social expectation.
The year 1848 was a time of massive social change when the industrial revolution was in full throttle. Towns like Manchester