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When I was forteen the shore of our way (the shore far away) to get gales of mirth of any of my parent’s generations шо ты блеешь thought is was to mention the music of Rodgers and Hammerstein - sentimental turtle let's say, carousel, no, no chance, no hope. Бля бля Victorian architecture that would be rage，pretty much apoplectic rage, anger, but if you really wanted to calls up for all if you really wanted people to choke into their fondue sets, you mentioned the Pre-Raphaelites. I became very excited about the whole Victorian movement, I loved this so called unfashionable buildings. Of course people like John Batchman were beginning to crusade for them. And so I supposed I join the crusade with a great excited heart and that when I discovered the Pre-Raphaelites. Who were these people who painted these extraordinary doomed women (обреченных), who painted these pictures of their time with huge moral messages, who were they, should we find out?
The Pre-Raphaelite Brotherhood or PRB for short was founded in secret in 1848 and numbered just seven people, of the original group three a famous: John Everett Millais – the youngest ever entrant to the Royal Academy of Art, the Christian visionary - William Holman Hunt and Dante Gabriel Rossetti – a man who soon developed the reputation for getting rather too entangled with the women he painted. All of them were around 20 years old and they were determined to shake up Victorian London.
I’m on my way to the house in Gas Street (или какая-то там стрит) where the Pre-Raphaelite Brotherhood was founded in 1848. In fact it was the house of Millais' parents. I think that there was a little less traffic in those days. The guys put it plaque on the door, saying “PRB”. Some people go thought in mean please ring the bell, others, who were really insiders, knew that it was about ризети опять какие-то пенисы rather better.
Today it’s an office, but once upon a time the back room was William’s studio filled with canvas, paint brushes and bric-a-brac (безделушки). Here’s a group studied in graving in work by artist to the past (тут точно что-то не так), especially those before Renaissance painters like Rafael，hence the term “Pre-Raphaelite” (отсюда термин).
This is an addition of the Compasso d'oro (компас онто) engravings by Коли Лесинио. It’s the book that the Brotherhood pored over time and time and time again and the quest to find out what painting before Rafael was really like. Their aim was to take art out of the establishment and give it back to the people. This was a world away from High Renaissance paintings commission by wealthy nobleman of the church. What these engravings offered were pictures of real people faces the artists ла-ла-ла on the street engaged in conversation. And so the Pre-Raphaelites decided to do the same, using real people in dramatic situations to tell human stories that ordinary people could understand. Their paintings are I'm afraid to tackle the big themes they were about love, death, history, myth legend, religion, morality and above all - there were about psychological drama whether it's a proposal of marriage,a betrayal or death threat (угроза смерти). This is delays painting Lorenzo and Isabela here in the Walker Art Gallery in Liverpool and is one of the very first pictures in which the monogram of the Pre-Raphaelite Brotherhood first prominently appeared. You can see the letters PRB at the foot of Isabela’s stool. The subject matter comes from a poem by Keats. Isabella is a daughter of a wealthy Florentine merchant (торговец). She wants to marry Lorenzo (the man sitting next to her) but he's only a lonely clerk (клерк) in the family business. And her brothers have other ideas, Isabella will not be allowed to marry beneath her. So her brothers murder Lorenzo to prevent the couple eloping. This is an omer killing( умышленное убийство что-ли\ Гомор). Like the medieval painters before him Millias used real people as a models : his sister-in-law (невестка),his father and his friend. Even резети gets a looking, draining a wine glass at the back.
Frankly you could say that Millais composition is pretty ropey, the legs very awkward but the Sony Pictures shows what the Brotherhood was about.
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the vivid colors (яркие цвета) result from that technique of over painting a canvas that have(had) been previously prime with white it became their trademark. This picture may look like a medieval painting but it is designed to have
contempory meaning. Thhis is more than a simple narrative painting.it is a protest against restrictive social expectation.
The year 1848 was a time of massive social change when the industrial revolution was in full throttle. Towns like Manchester, Liverpool or London were overcrowded unsanitary and diseased. Infant mortality (смертность младенцев) was high and death was ever-present.
I'm here in sunny she Киви что-ли. Я бы съела киви. Street just north of Oxford Circus where home of бла.бла studio was. By the 1840s apparently was even nastier than it is now a real dickensian place with prostitutes you name it cheap shop small like, to ничего не могу понять, блеааать improve.
Living and working in London Rossetti, Hunt, Milliam saw the huge price the lower classes were paying for this new industrialization. Those floking to the cities in search of work were met with low-paid,unregulated jobs if they were lucky more often than not they were faced with unemployment. Many goals were forced into prostitution to survive an occupation that fad the appetite of the wealthy and by many I mean many. In the last quarter of the 19th century at least 80,000 prostitutes worked in central London alone, in the late 80 forties the victims of industrialization called for change. Inspired by the revolutionary workers around them Millliam, Hunt and Rossetti together was the Pre-Raphaelite brothers decided that it was time for that own revolution in art.
In 1853 Holman Hunt began to paint pictures about contemporary issues not least (of) the surgeon prostitution which he saw as a direct consequence of the Industrial Revolution. The result was this painting the awakening conscience.
Tthe painting depicts a Cat mistress on her lover and лабудень John's Wood. In the nineteenth century this was an ideal location for men to keep his mistress close to home in Belgravia that conveniently hidden away in Hyde Park. The woman has rings on every finger of her left hand except for the wedding finger. She's also in what at the time would have been called a state of undress, her lucent hair indicates her intimacy with the man the discarded soiled glove in the foreground represents a realization
that she could be abandoned by her lover any time and fall into common prostitution. The model for the painting
was a barmaid Anne Miller who Holman Hunt was attempting to educate. And then marry and he is shown jumping up
as if she is just heard a knock on the door was realized that her life has to change. Holman Hunt originally intended the painting to be seen side by side with another his works the painting that was to become one of the most famous Pre-Raphaelite images of all time.
In the light of the world жужужуa passage from the Bible behold I stand at the door and knock if any man hear my voice and open the door I will come into him and will suck !!!! эммм вот и применение пенисам with him and he with me.
Anne Miller here is a kept woman is therefore responding to Christ knocking on the door. The deeper meaning of the paintings only become clear when they are seen together. Now we can see why this picture was intended to be painted with the awakening conscience. You see it's about anyone can be saved anyone can hear the knock on the door. In the nineteenth century even Jesus was a Pre-Raphaelite.
in the summer of 1851 John Everitt Milliam and William Holman Hunt travel to the countryside and began painting outdoors. They painted everyday except the sunday usually from me8 in the morning and till 7 in the evening. 11 hours a day, six days a week for 23 weeks. The idea was to rediscover the natural world that was threatened by the Industrial Revolution. This is Holman Hunt famous painting the oHollings Sheppard in the Manchester art gallery where is the most superb collection of Pre-Raphaelites and wonderfully shown recommend everybody to go to it. The story here, of course, is is that the Shepherd is neglecting his flock showing something called deaths have more…