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long business partner – to reopen shop in Hollywood. The Kansas City team soon joined the Disneys in California, and the company produced mostly Alice films for the next four years.

In 1927 Disney began his first series of fully animated films, featuring the character called «Oswald the Lucky Rabbit». When his distributor appropriated the rights to the character, Disney altered Oswald's appearance and created a new character – a cheerful, energetic, and mischievous mouse that he named Mortimer Mouse; but his wife insisted that this was a poor name choice, and it was called as Mickey Mouse. The film was an immediate sensation and led to the studio's dominance in the animated market for many years. The growing popularity of Mickey Mouse and his girlfriend, Minnie, however, attested to the public's taste for the fantasy of little creatures with the speech, skills, and personality traits of human beings. (Disney himself provided the voice for Mickey until 1947.) This popularity led to the invention of other animal characters, such as Donald Duck and the dogs Pluto and Goofy.

Walt Disney had long thought of producing feature-length animated films in addition to the shorts. In 1934 he began work on a version of the classic fairy tale «Snow White and the Seven Dwarfs» (1937), a project that required great organization and coordination of studio talent and a task for which Disney possessed a unique capacity. While he actively engaged in all phases of creation in his films, he functioned chiefly as coordinator and final decision maker rather than as designer and artist. «Snow White» was widely acclaimed by critics and audiences alike as an amusing and sentimental romance. By animating substantially human figures in the characters of Snow White, the Prince, and the Wicked Queen and by forming caricatures of human figures in the seven dwarfs, Disney departed from the scope and techniques of the shorts and thus proved animation's effectiveness as a vehicle for feature-length stories.

Disney also produced a totally unusual and exciting film – his multisegmented and stylized «Fantasia» (1940), in which cartoon figures and colour patterns were animated to the music of Igor Stravinsky, Paul Dukas, Pyotr Ilyich Tchaikovsky, and others.

The Disney Company continued to flourish during the 1950s and '60s. Disney's attention was then increasingly devoted to live-action features, television productions, and his new huge amusement theme park, Disneyland, which opened in 1955 in Anaheim, California. It soon became a mecca for

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tourists from around the world. Quality animated features such as «Sleeping Beauty» (1959), «101 Dalmatians» (1961), and «Winnie the Pooh and the Honey Tree» (1965) were still produced. Disney's finest live-action film, «Mary Poppins» (1964), was heralded as the studio's greatest achievement in more than 20 years. The film won five Academy Awards, including a best actress Oscar, and was nominated in seven additional categories.

Walt Disney was never a rich man by Hollywood standards, largely because he valued perfection more than profits. «I don't make movies to make money, «he once said, «I make money so I can make more movies.» The company was in financial disarray when he died on December 15, 1966, but enterprises he planned before his death assured the company's future. In 1965 he purchased 43 acres of barren land in central Florida for his most ambitious project, the Walt Disney World, theme park and resort. Roy Disney assumed supervision of the project, and the park opened in 1971 to great success.

During the 1970s and '80s the company produced few films of note and realized its greatest profits from the distribution of old films and from Disney World, which had become one of the world's leading tourist destinations.

In 1982 the Experimental Prototype of the City of Tomorrow, or EPCOT Center, was incorporated into the park and immediately became one of its main attractions. EPCOT was the last project Walt Disney himself envisioned during his lifetime.

The 1990s were the Disney Company's most financially successful decade in history. The revival was heralded by the release of «The Little Mermaid» (1989), an animated feature regarded as Disney's best such effort in more than 40 years. More animated blockbusters followed, including «Beauty and the Beast» (1991), «Aladdin» (1992), «The Lion King» (1994), «The Hunchback of Notre Dame» (1996), and «Fantasia 2000» (1999). The company had experimented with computerized animation for the live-action feature «Tron» (1982) and realized the technology's potential with the enormously successful «Toy Story» (1995) and «Toy Story 2» (1999). Live-action features have also found success, especially «101 Dalmatians» (1996), a remake of Disney's own 1961 animated feature.

Although films continue to be a major component of the Disney Company, they constitute but one of many successful ventures of recent years. New Disney theme parks were opened in Paris and Tokyo, and Disney Quests

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– indoor theme parks featuring interactive virtual-reality arcades – debuted in Orlando, Florida, and Chicago. The «Disney Magic», the first ship in the Disney Cruise Line, was launched on July 30, 1998, and offered vacation packages to the Caribbean islands. In addition to the long-running Disney Channel cable network, broadcasting interests were expanded to include the ABC network, the sports cable network, and Radio Disney. The company's most visible and noteworthy enterprise of the 1990s was its foray into Broadway musicals. Stage adaptations of the animated features «Beauty and the Beast» and «The Lion King», both visually resplendent and long-running successes, premiered in 1994 and 1997, respectively. The company purchased Broadway's New Amsterdam Theatre in 1997 and has been credited with many civic improvements in the Broadway area. Disney's most ambitious stage production is a modern version of «Aida» (2000), with a score by the «Lion King» composing team of Elton John and Tim Rice. At the end of the 20th century the Walt Disney Company was one of the world's largest entertainment conglomerates, and it consistently ranked among America's top 50 corporations.

Notes:

1.whimsical humour – необычный юмор;

2.feature-length animated films – полнометражные мультипликацион-

ные фильмы;

3.to assure the company's future – обеспечивать будущее компании;

4.to assume supervision of the project – взять на себя руководство про-

ектом;

5.one of many successful ventures – одно из многих успешных пред-

приятий.

SOYUZMULTFILM

Founded on the 10th of June in 1936, Souzmultfilm Animation Film Studio is the biggest animated film studio in Europe. Today the collection of the Film Fund of Souzmultfilm comprises more than 1500 animated films created with hand-drawn, puppet, cut-out and other animation techniques. A vast number of films have won numerous awards at prestigious international film festivals.

The collection includes animated films based on Russian folklore and European fairy-tales, comedy stories, funny and amusing sketches featuring

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children and animals, musical tales, sports films, detective stories, having raised several generations of Russian people. Many of these films are included not only in Russian, but also in the world «golden fund» of the animation film art.

Soyuzmultfilm is a Russian animation studio based in Moscow. Over the years it has gained international attention and respect, garnering numerous awards both at home and abroad. Noted for a great variety of style, it is regarded as the most influential animation studio of the former Soviet Union. The studio has produced 1529 films during its existence.

It is currently divided into two studios: «Creative union of the «Film studio «Soyuzmultfilm» and the Soyuzmultfilm Film Fund.

The Studio was founded in 1936 under the name Soyuzdetmultfilm. The name was changed to Soyuzmultfilm on 20 August 1937. Initially comprising only a few scattered workshops, Soyuzmultfilm grew quickly, soon becoming the Soviet Union's premier animation studio. The studio produced exclusively traditional animation until 1954, when a «puppet division» was founded and the first stop motion-animated film released. The puppet division would later also make cutout animated films.

During the Soviet era, the studio employed a maximum of over 700 skilled labourers and released an average of 20 films each year (the highest number was 47, in 1973).

The 1970s saw the birth of the Soviet Union's most popular animation series «Nu, pogodi!» directed by Vyatcheslav Kotyonochkin. A simple plot of the animation is about a wolf chasing a hare through all the series of cartoon.

One of the most famous Russian animators is Yuriy Norshteyn. His films «Hedgehog in the Fog» (1975) and «Tale of Tales» (1979) show not only technical masterliness (although not smooth animation), but also an unrivaled magic beauty. «Tale of Tales» was elected best animation film of all time during the 1984 Olympic Arts Festival in Los Angeles, and again in 2002.

The 60s, 70s and 80s saw the release of many films whose characters became an integral part of Soviet culture: «Winnie-the-Pooh» (1969), «Crocodile Gena» (1969), «Karlsson-on-the-Roof» (1968), «The Musicians of Bremen» (1969), «Three from Buttermilk Village» (1978), «Nu, pogodi!» (19692006), «Hedgehog in the Fog» (1975), «The Mystery of the Third Planet»

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(1981), «There Once Was a Dog» (1982), «The Tale of Tsar Saltan» (1984) etc.

The variety of animation styles and the unprecedented degree of artistic freedom given to its many animators made Soyuzmultfilm perhaps the most diverse of the world's major animation studios.

Animators and directors who worked in Soyuzmultfilm studio are Ivan Ivanov-Vano, Fyodor Khitruk, Vyatcheslav Kotyonochkin, Yuriy Norshteyn, Aleksandr Ptushko. Actors whose voices the characters spoke are Anatoli Papanov, Klara Rumyanova, Vasilii Livanov.

Soyuzmultfilm's creativity was fueled in part by the unique conditions of the Soviet Union which made it possible for the studio to disregard the commercial appeal of its films. Because animators were paid by the Academy of Film regardless of how well or how poorly their products sold (though they were not, in fact, «sold»), they were free to pursue their artistic vision without giving a thought to finances.

The collapse of the Soviet Union brought to a close the golden era of Soyuzmultfilm. New economic realities made it impossible for the government to support the studio any longer. Although the studio survived, it shrank dramatically, losing nearly 90 % of its staff and releasing only a few films.

In 1999, Soyuzmultfilm came back under the control of the government. A government edict on 10 January 2003 divided the company into two separate companies. The separation was finalised on March 1, 2004. The rights of all Soyuzmultfilm films before March 1, 2004 belong to the «Soyuzmultfilm Film Fund», and its official mission is restoring and marketing them. The mission of the «Creative union of the «Film studio «Soyuzmultfilm» is to create new films (anywhere from 3-7 short films a year) and to eventually privatize itself.

Notes:

1.Soyuzmultfilm – Coюзмультфильм;

2.Creative union of the Film studio «Soyuzmultfilm» – Творческо-

производственное объединение Киностудия «Союзмультфильм»;

3.Soyuzmultfilm Film Fund – Фильмофонд Киностудии «Союз-

мультфильм»;

4.Soyuzdetmultfilm – Союздетмультфильм;

5.to chase – охотиться;

6.to survive – выживать.

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V. FILM CORPORATIONS AND FESTIVALS

HOLLYWOOD

Hollywood is a district within the city of Los Angeles, California, U. S., whose name is synonymous with the American motion-picture industry. Since the early 1900s, when movie-making pioneers found in southern California an ideal blend of mild climate, much sunshine, varied terrain, and a large labour market, the image of Hollywood as the fabricator of tinseled cinematic dreams has become worldwide.

An adobe was the first house built (1853) on the site near Los Angeles, which was then a small city in the new state of California. Hollywood was laid out as a real-estate subdivision in 1887 by Horace Wilcox, a prohibitionist from Kansas who envisioned a community based on his sober religious principles. His wife, Daeida, named the area after the home of a friend in Chicago. In 1910, because of an inadequate water supply, Hollywood residents voted to consolidate with Los Angeles.

In 1908 one of the first storytelling movies, «The Count of Monte Cristo», was completed in Hollywood after its filming had begun in Chicago. In 1911 a site on Sunset Boulevard was turned into Hollywood's first studio, and soon about 20 companies were producing films in the area. Hollywood had become the centre of the United States' motion-picture industry by 1915, as more independent filmmakers relocated there from the East Coast. For more than three decades, from the silent screen through the advent of the talking picture, such men as D. W. Griffith, Goldwyn, Adolph Zukor, William Fox, Louis B. Mayer, Darryl F. Zanuck, and Harry Cohn served as overlords of the great film studios – 20th Century–Fox, Metro-Goldwyn-Mayer, Paramount Pictures, Columbia, Warner Brothers, and others. Among the writers who were fascinated with Hollywood in its «golden age» were the novelists F. Scott Fitzgerald, Aldous Huxley, Evelyn Waugh, and Nathanael West.

After World War II, film studios began to move outside Hollywood; and location filming around the world emptied many of the famous lots and sound stages or turned them over to television show producers. With the advent of television, Hollywood began to alter its functions. By the early 1960s it had become the source of much of American network television entertainment. Some studios, such as Universal, became mammoth television produc-

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ers. The presence of thousands of technically skilled artisans in the Hollywood area, as well as vast amounts of equipment, make it unlikely that the entertainment industry will ever be completely uprooted.

Notes:

1.Hollywood – Голливуд (пригород Лос-Анджелеса, штат Калифорния; центр американской кинематографии);

2.religious principles – религиозные принципы;

3.crypts of such performers – склепы таких исполнителей;

4.terrain – местность;

5.sober – здравомыслящий;

6.throughfare – проезд;

7.gilded past – золотое прошлое;

8.tawdry – кричащий, безвкусный.

UNITED ARTISTS CORPORATION

United Artists Corporation is a major investor in and distributor of independently produced motion pictures in the United States. The corporation was formed in 1919 by Charlie Chaplin, the comedy star; Mary Pickford and her husband, Douglas Fairbanks, the popular film stars; and D. W. Griffith, the director who was a pioneer in the development of camera techniques. They were the leading filmmakers of their day and wanted complete freedom in producing and distributing their films. The company also handled the distribution of high-quality films made by independent producers. United Artists was the first major production company to be controlled by its artists rather than by businessmen. It also started the trend among studios to act as distributing agencies for films other than those it produced.

Besides the films of its founders (including Chaplin's «The Gold Rush», 1925), United Artists prospered in the 1920s with films starring Buster Keaton and Rudolph Valentino. The company met the new challenge of sound films in the 1930s with the talents of such producers as Samuel Goldwyn and Alexander Korda. The corporation eventually encountered financial difficulties, though, and was reorganized in 1951: the production studio was sold, and United Artists became solely a financing and distributing facility. Although the new administration established itself with modestly budgeted films, the company was fully competitive by the mid-1950s with all the major studios

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because of such films as «The African Queen» (1951), «West Side Story» (1961) and others. The company's subsequent successes included the James Bond and Pink Panther series and such films as «One Flew over the Cuckoo's Nest» (1975). In its later years, United Artists underwent various ownerships and corporate organizations.

Notes:

1.complete freedom – полная свобода;

2.to prosper – процветать;

3.to undergo various ownerships – претерпеть (перенести) разные формы собственности.

WARNER BROTHERS

Warner Brothers – in full (1923–69) Warner Brothers Pictures, Inc., or (from 1969) Warner Bros. Inc. – is American motion-picture studio that introduced the first genuine talking picture (1927). The company was founded by four brothers, Harry, Albert, Samuel, and Jack Warner, who were the sons of Benjamin Eichelbaum, an immigrant Polish cobbler and peddler. The brothers began their careers showing moving pictures in Ohio and Pennsylvania on a traveling basis. In 1903 they started acquiring movie theatres, and they then moved into film distribution. Later they began producing their own films, and in 1917 they shifted their production headquarters to Hollywood, Calif. They established Warner Brothers Pictures, Inc., in 1923. The oldest of the brothers, Harry (1881–1958), was the president of the company and ran its headquarters in New York City, while Albert (1884–1967) was its treasurer and head of sales and distribution. Sam (1888–1927) and Jack (1892–1978) managed the studio in Hollywood.

When the company ran into financial difficulties in the mid-1920s, Sam Warner persuaded his brothers to collaborate in developing a patent on a process (Vitaphone) that made the «talkies» possible. The studio's «Don Juan» (1926) opened with a completely synchronized musical sound track, and «The Jazz Singer» (1927) had both synchronized music and dialogue. Warner Brothers then made «Lights of New York» (1928), the first full-length alltalking film, and «On with the Show» (1929), the first all-talking colour film. The enormous financial success of these early sound films enabled Warner Brothers to become a major motion-picture studio. By the 1930s Warner

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