Файл: DMC_Manual.pdf

DMC User Manual Issue 1

The listen at a Pre-selected calibration level

Pressing the CAL key will cycle through 4 options of monitoring at predetermined levels, and the internal led will change colour accordingly:

•USER Off

The functionality of this button can be turned off in Preferences / Monitoring.

Headphones

To select the signal source for headphones

Press and hold the SELECT key on the Headphones section.

Press the MAIN, GRP, AUX, CUE or EXT key on the SELECT Panel (the integral led will illuminate red).

Fig 70: Headphones / SLS Press the key for the required path number.

panel

Available paths are indicated by keys with the integral leds illuminated green. The led in the selected key will illuminate red.

The selected path will appear in the alpha display for the headphones.

Source selection for the headphones is interlocked (i.e. the previous source will be deselected automatically).

Release the SELECT key.

The Headphone feed requires SEL4 to be ported.

To inject Talkback on the headphones

Press the TALK key.

The operation of the TALK key depends on the settings in Preferences / Tone & Talkback.

When working in Stereo, the Headphones can be set to follow which ever source is selected for the Control Room. Tap the SELECT button til FOLL is shown in the alpha display.

Now, whenever the Control Room selection is changed, the same signal will be sent to the headphones.

Studio Loudspeakers

To select the signal source for the studio loudspeakers

Press and hold the SELECT key for the Studio L/S.

Press the MAIN, GRP, AUX, CUE or EXT key on the Select panel.

The integral led will illuminate red.

Press the key for the required path number.

Available paths are indicated by keys with the integral leds illuminated green. The led in the selected key will illuminate red.

The selected path will appear in the alpha display for the Studio LS.

Source selection for the Studio Loudspeakers is interlocked (i.e. the previous source will be de-selected automatically).

Release the SELECT key.

See Solo in this chapter for information on the operation of the PFL key.

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To inject Talkback on the Studio L/S output

Press the TALK key.

The operation of the key depends on the setting in Preferences / Tone & Talkback.

To cut the Studio Loudspeakers, press CUT. To Dim the Studio Loudspeakers, press DIM.

The amount that the speakers will DIM by is set in Encore Preferences / Monitoring.

The DIM and CUT keys can operate in two ways.

The button can be pressed On and Off as with any other switch, or simply pressing & holding the key On causes the key to remain on until it is released.

For the Studio Loudspeakers to operate, SEL2 must be ported.

Bus / Tape

Bus/Tape switching only applies to the Tracks and controls the input signal to the path. This is shown on the Track Signal Path Schematic.

Fig 71: Track Schematic

The status of the Bus/Tape switching on the Tracks will affect the audio that is heard on any of the monitoring destinations that Tracks are routed to.

To select a Track input source individually, press the BUS or TAPE key on the fader strip.

To globally swap Bus/Tape for all Tracks, use the ALL BUS and ALL TAPE keys on the Surround Monitor section.

To create a Mix of Bus and Tape

Press both the BUS and TAPE keys at the same time. The integral leds in both keys will illuminate.

The signals from the Bus input and Tape input will be summed before any signal processing in the path is applied.

This is useful for introducing new material over finished material that has been previously recorded or for overdubbing.

This can either be done locally (so only individual Tracks are in Overdub mode), or globally using the ALL BUS and ALL TAPE buttons on the Surround Monitor Panel.

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Solo

The console has both pre-fader listen (PFL) and after-fader listen (AFL) solo.

AFL

AFL solo can work in up to three different ways:

•Standard AFL which only affects what is heard on the monitor;

•Solo In Place which cuts all other paths; and

•Track Pre-Send which cuts other paths but does not cut auxiliary pre-sends on Tracks. The operation of AFL is selected in Preferences / Solo Settings & Relay Control.

The default AFL operation for the console is Solo-In-Place as this is more commonly used in music recording and mix down.

To AFL solo a path

Press the SOLO key for the required path. The led above the key will illuminate. The integral led in the SOLO CLEAR key on the Control room panel will flash.

Press additional SOLO keys to listen to a group of paths.

The type of AFL Solo is set in Encore System Preferences / Solo Relay Settings.

L/S 1 needs to be ported in I/O Patch for the AFL solo bus signal to be heard.

PFL

To PFL solo a path

Press the PFL key for the required path (the integral led will illuminate red, and the integral led in the SOLO CLEAR key on the Control Room Panel will flash).

Press additional PFL keys to listen to a group of paths.

L/S 2 needs to be ported in I/O Patch for PFL to be heard.

To select PFL as a monitor source for Control Room, Headphones or Studio L/S

For Headphones or Studio L/S, press and hold the relevant SELECT key, and press the PFL key at the bottom of the Monitor Select Panel (the current source for the monitoring destination will remain unchanged).

When PFL solo is activated anywhere on the console then the PFL signal will take over the output for the destination(s) it is selected to. The led in the PFL key will illuminate solid while PFL is active and routed to the Control Room monitor speakers.

To cancel all active solos

Press the SOLO CLEAR key on the Control Room Panel.

All active PFL / AFL will be cleared, and the integral led in the key will stop flashing. This does not clear PFL from the destinations it is selected to.

The PFL signal can be sent to a separate speaker, and SEL3 must be ported for this feature to work. If this is the case, then the Main Monitoring will not be affected when working in Stereo.

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Solo Inhibit

This enables selected paths to remain open when any AFL key is pressed (for example reverb returns so a vocal can be heard in context).

To set Solo Inhibit, ensure that it is selected from the pulldown menu options for one of the Local Button Assignments in Encores System Preferences.

Also, see chapter on Desk Editor in the Encore Plus manual.

CUT

The CUT key is used to mute the output from a path.

Cut is at the same point in the signal path as the fader (i.e. it is similar to moving the fader down until the signal is cut). Pre-fader auxiliary contributions are not affected by cut.

To Mute the output from a path, press the CUT key.

The green led above the key will illuminate.

CUT keys must be turned off individually.

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13 The Surround System

How the Surround system works

A surround sound setup on the the console consists of three main parts:

•Signal sources that are panned.

•Film stems that accept the panned signals.

•Film monitoring that controls which stems are output to the speakers.

The signal sources are inputs that are routed to Tracks. Panning is always available to a Channel, according to the pan designators applied to paths (Tracks or Groups) that the Channel is routed to.

Film Stems are made up of Tracks that have had suitable pan designators applied to them using the Surround Manager in Desk Editor.

The pan designator means that when a Channel is routed to a particular Track then the Track only receives the relevant portion of the signal that is panned to the speaker position indicated by the pan designator.

Fig 72: Surround Schematic

Stem A consists of the first four Tracks in the current Desk Setup, and the LCRS Pan Macro has been used to designate the Tracks appropriately.

Channel 1 is routed to all the member Tracks of Stem A.

If Channel 1 is panned fully to the left and front, then all of the signal will be sent to Track 1. This is because Track 1 is designated in the panning position of Front Left. If the FB pan control (or the joystick) is used to move the signal back from this position, then the signal will slowly diminish on Front Left (Track 1) and gradually increase on Mono Surround (Track 4).

The Tracks must then be routed to the correct Film paths in the Surround Monitoring Panel. The Film paths are automatically assigned to speaker positions according to the number of Film paths selected in the current Desk Setup.

In the example in the Simplified Surround Monitoring diagram there are 4 Film paths that have been automatically assigned to the speaker keys that are used for LCRS monitoring (L, C, R and SL).

It is also possible to use Tracks as inputs with pan controls. Tracks used in this way are then routed to Tracks that belong to film stems.

Routing software prevents any feedback loops from occurring.

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Surround Stem Selection and Routing

There are three main steps for setting up Surround Stems to establish a full signal path through the console from inputs to surround monitor outputs.

A Surround Stem must first be constructed from Tracks to allow routing to and from the Stem.

Once the Stem has been created then the film monitors it needs can be selected and inputs can be routed to the Tracks in the Stem. This can be done in any order.

This is not a fixed sequence of steps, but all the steps must be completed for surround monitoring to be heard.

In Desk Editor, you will need to select a Surround format to work in (this is usually 5.1) and set up the Stems. See the Encore Plus manual for further information.

To Switch Between Surround and Standard Monitoring

Press the SURR MON button. The alpha display in the SELECT Panel shows which monitoring system is active.

•It displays SURROUND when the Surround Monitoring system is active.

•It displays STEREO when the Standard Monitoring system is active.

To Route inputs to a Stem

Ensure you are listening in Surround mode first.

Press and hold the Access key for the required Channel.

Press the Stem keys above the routing screen for Tracks in film stems. The leds in the Stem keys will illuminate. Release the Access key.

The green leds above the ON/OFF keys for each pan control on the AFU illuminate to show which panners are currently selected.

Press the ON/OFF keys for the pan controls so that the required panners are selected. Rotate the Logicators to pan the signal as required.

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Surround Monitoring

When the film stems have been fully configured, the Surround Monitoring Panel allows various monitoring options, including summing of film stems and/or external sources, etc.

The Surround Monitoring Schematic shows the basic operation of the Surround Monitoring.

Fig 73: Surround Monitoring Schematic

Monitoring Stems

The Surround Monitoring panel on the lower AFU is used to select which Stem is being monitored.

•If the SUM key is unlit, then selecting Stems and external machines is interlocked.

•If the SUM key is lit, then the monitoring becomes additive, allowing you to listen to multiple stems and external machines at one time.

NB: The SUM button has no effect when monitoring in Stereo.

To Monitor an external machine

Ensure you are listening in Surround first.

Place the machine into play, press the EXT button on the SELECT panel then press the required machine key 1, 2 or 3.

Post Decode Monitoring

This function uses inserts to switch the Film paths through external equipment for encoding and decoding, and uses the DECODE button on the Surround Monitor Panel.

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Surround Monitor Solo and Cut

The SOLO and CUT keys on the Surround Monitor panel only affect the output to the speakers.

To CUT an individual speaker

Ensure the Solo/Cut key is set to Cut, then press the required speaker key. The internal led will illuminate.

To SOLO an individual speaker

Ensure the Solo/Cut key is set to Solo, then press the required speaker key. The internal led will illuminate.

Solo is additive so L and R could be soloed by pressing their SOLO keys in turn.

AFL Solo

This is the default Solo mechanism used by the console when there are Film paths in the current Desk Setup.

The SOLO keys on the fader strips operate the AFL Solo system. This is a non-destructive solo system that cuts the connection between stems and the Film paths without affecting the stem routing. This means that if the console is sending audio to a tape machine then the audio will carry on being recorded, even though it is not monitored.

AFL Solo operation can be seen in the following example, which shows how a Channel routed to an LCRS stem is affected by AFL Solo.

Fig 74: Surround Solo Schematic

To use AFL Solo

Press the SOLO key on the required fader strip(s).

The panned signal from the selected path will now be routed to the Film Listen paths and then to the Film paths to output to the monitor speakers.

The connection between the Stems and the Film paths is cut while AFL Solo is active.

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The signal will appear on the speakers according to how it is panned. This should match the routing through any Stems, assuming that the Tracks in the Stems are routed to the correct speakers according to their pan designators.

Any number of SOLO keys can be pressed.

The led in the SOLO CLEAR key on the CONTROL ROOM section will flash orange.

To cancel solo

Press the SOLO keys to turn them off or press SOLO CLEAR.

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14 TFT Meter Bridge

TFT metering is provided for all faders on the console, plus a Master screen to show Aux / Grp metering (when working in Stereo) or Surround metering (when working in any Film mode).

To the left of each meter is a Dynamics display, where:

•the top half of the display (from 0dB), will display any make-up gain for Compression (if present).

•the bottom half of the meter, (from 0dB), displays any Gate action (if present).

The metering pickoff point for Input paths is always pre-trim, pre-gain.

The metering pickoff point for Output paths is always Postfader, but Pre-port (so preany delay that may be assigned).

The type of metering display is set in Encore System Preferences, and include the following options:

WavTrak™

A scrolling display of the audio slowly ascends the screen, with the present moment displayed as a pale blue line, one third of the way up the screen. Past audio is displayed in red, upcoming audio displayed in blue.

The path name is also displayed.

The Wavtrak display takes up both of the available windows.

Fig 76:

WavTrak

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