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PRESET MENU

Note-On

Modulation Sources

Key Number, Key Velocity

Initial Pitch Wheel Amount

Initial Controller A Amount

Initial Controller B Amount

Initial Controller C Amount

Initial Controller D Amount

Initial Mono Pressure Amount

Initial FR Function Gen.

Amount

Destinations

Off

Pitch, Primary Pitch

Secondary Pitch

Volume, Primary Volume

Secondary Volume

Attack, Primary Attack

Secondary Attack

Decay, Primary Decay

Secondary Decay

Release, Primary Release

Secondary Release

Crossfade

LFO 1 Amount, LFO 1 Rate

LFO 2 Amount, LFO 2 Rate

Auxiliary Envelope Amount

Auxiliary Envelope Attack

Auxiliary Envelope Decay

Auxiliary Envelope Release

Function Gen 1 Amount

Function Gen 2 Amount

Portamento Rate

Primary Portamento Rate

Secondary Portamento Rate

Filter Morph

Primary Filter Morph

Secondary Filter Morph

Pan, Primary Pan

Secondary Pan

Sample Start

Primary Sample Start

Secondary Sample Start

Tone, Primary Tone

Secondary Tone

Filter Level, Primary Filter Level

Secondary Filter Level,

Filter Freq. Tracking,

Primary Filter Freq. Tracking

Secondary Filter Freq. Tracking

Filter Transform 2

Primary Filter Transform 2

Secondary Filter Transform 2

• Note-On Modulation Control

These functions allow you to route Note-On information (information received at note-on time such as velocity or key number) to any of the modulation destinations. Up to 10 simultaneous paths or “patches” may be programmed. For each modulation patch, there is a source, a destination and a corresponding amount parameter which is variable from -128 to +127. Place the cursor under the appropriate parameter and change the patch number, modulation source, modulation destination, or the amount, using the data entry control. If a parameter is not labeled either primary or secondary, it affects both.

 

 

 

 

 

NOTE-ON CTRL

#0

 

 

V Volume

+000

 

 

 

 

 

 

 

 

 

LFO 1

Primary

 

Z-Plane

 

R

Amount Rate

Instrument

Tone

Filter

DCA

Pan

 

Sample

 

 

 

 

 

Pitch Start

 

Attn. Morph Trk T2

L

 

 

 

 

 

LFO 2

 

 

 

Volume

 

 

 

 

 

 

Amount Rate

 

 

 

 

 

 

Portamento

 

 

Volume

X-Fade

 

 

 

AHDSR

 

Auxiliary

Rate

 

 

Atk Dec Rel

 

DAHDSR

 

 

 

 

 

Atk Dec Rel Amt

 

 

 

 

 

Function

Secondary

 

Z-Plane

 

R

Generator 1

 

 

Instrument

Tone

Filter

DCA

Cond Amount

Pan

 

Sample

 

 

 

 

 

Pitch Start

 

Attn. Morph Trk T2

L

 

 

 

 

 

Function

 

 

 

Volume

 

Generator 2

 

 

 

 

 

Cond Amount

 

 

 

 

 

 

 

 

 

Volume

 

 

 

 

 

AHDSR

 

 

 

 

 

Atk Dec Rel

 

Modulation Destinations

CONTROLLER

 

 

 

 

 

 

 

 

 

 

 

FR FUNCTION

 

 

 

KEYBOARD

 

 

VELOCITY

 

 

 

A-B-C-D

 

 

 

CENTER

 

 

CURVE

 

 

 

GENERATOR

(INITIAL SETTING)

 

 

 

 

 

 

 

 

 

 

 

(INITIAL SETTING)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PITCH WHEEL

 

KEY NUMBER

 

 

VELOCITY

 

PRESSURE

 

 

(INITIAL SETTING)

 

 

 

 

(INITIAL SETTING)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Note-On Modulation Sources

122 Morpheus Operation Manual


PRESET MENU

• Realtime Modulation Control

These functions allow you to route realtime controllers to any of the modulation destinations except Tone, Sample Start, Filter Frequency Tracking and Filter Transform 2. Up to 10 simultaneous patches may be programmed. For each modulation patch, there is a source and a destination parameter. Place the cursor under the appropriate parameter and change the patch number, modulation source, modulation destination, or the amount using the data entry control. If a parameter is not labeled either primary or secondary, it affects both.

REALTIME CTL #0

PWhl Off +127

LFO 1

Primary

 

Z-Plane

 

R

 

 

 

Amount Rate

Instrument

Tone

Filter

DCA

Pan

 

 

 

Pitch

 

Morph

 

 

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Volume

 

 

LFO 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Amount Rate

 

 

 

 

 

 

Volume

 

 

 

 

 

 

 

 

 

 

X-Fade

 

 

 

 

 

 

 

 

AHDSR

 

 

 

 

Portamento

 

 

 

 

 

 

 

 

 

Rate

 

 

 

Atk Dec Rel

 

 

 

 

 

 

 

 

 

 

 

 

Auxiliary

DAHDSR

Atk Dec Rel Amt

Function

Secondary

 

Z-Plane

 

R

Tone

DCA

Pan

Generator 1

Instrument

Filter

Amt

Pitch

 

Morph

 

L

 

 

 

 

 

 

 

 

Volume

Function

Generator 2

Amt

Volume

 

 

AHDSR

 

 

Atk Dec Rel

Modulation Destinations

PITCH WHEEL

MONO

 

LFO 1

AUXILIARY

PRESSURE

 

ENVELOPE

 

 

MIDI

POLY

 

LFO 2

CONTROLLER

PRESSURE

 

A/B/C/D

 

 

 

FUNCTION

 

FREE-RUN

 

 

FUNCTION

 

GENERATOR

 

 

 

GENERATOR

 

 

 

 

Realtime Modulation Sources

Realtime

Modulation Sources

Pitch Wheel

MIDI Control A

MIDI Control B

MIDI Control C

MIDI Control D

Mono Pressure

Polyphonic Pressure

LFO 1, LFO 2

Auxiliary Envelope

Function Generator 1

Function Generator 2

Free-Run Function Generator

Destinations

Off

Pitch, Primary Pitch

Secondary Pitch

Volume, Primary Volume

Secondary Volume

Attack, Primary Attack

Secondary Attack

Decay, Primary Decay

Secondary Decay

Release, Primary Release

Secondary Release

Crossfade

LFO 1 Amount, LFO 1 Rate

LFO 2 Amount, LFO 2 Rate

Auxiliary Envelope Amount

Auxiliary Envelope Attack

Auxiliary Envelope Decay

Auxiliary Envelope Release

Function Gen 1 Amount

Function Gen 2 Amount

Portamento Rate

Primary Portamento Rate

Secondary Portamento Rate

Filter Morph

Primary Filter Morph,

Secondary Filter Morph

Pan, Primary Pan

Secondary Pan

When Modulating Envelope Attack, Decay or Release Times:

Positive amounts of modulation increase the time.

Negative amounts of modulation decrease the time.

Chapter 8: Preset Menu

123

 

 


PRESET MENU

Pressure Amount and Controller A-B-C-D Amount are MASTER Controls which affect the amount of modulation which can be programmed in the Realtime Modulation section.

In order for the Realtime Modulation Control amounts for these functions to have a full range of control, the Pressure and Controller A-D amounts must be set to +127.

• Footswitch Control

This function allows you to route the 3 footswitch controllers (1, 2 or 3) to any of the footswitch destinations. The footswitches can be routed to switch: Sustain (pri/sec/both), alternate volume envelope (pri/sec/both), alternate volume release (pri/sec/both), cross-switch between the primary and secondary instruments or switch portamento Off or On (pri/ sec/both).

FOOTSWITCH CTRL

1 -> Sustain

• Pitch Bend Range

This function allows you to specify the pitch wheel range for the current preset if pitch bend is not being globally controlled in the Master menu. Pitch bend range is only used when the pitch wheel is used to control pitch.

PITCH BEND RANGE +- 12 semitones

• Pressure Amount

This function allows you to specify an overall amount parameter for mono or poly keyboard pressure data (pre-patch cord). The pressure amount is variable from -128 to +127.

PRESSURE AMOUNT +127

• MIDI Controller Amount

This function allows you to specify an overall amount parameter (prepatch cord) which variable from -128 to +127 for each of the MIDI controllers.

 

 

 

 

 

 

 

 

 

 

CONTROLLER AMT

 

 

 

CONTROLLER AMT

 

 

A:+127

B:+127

 

 

 

C:+127

D:+127

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

124 Morpheus Operation Manual


PRESET MENU

• Velocity Curve

Incoming velocity data can be modified by a velocity curve in order to provide different types of dynamics in response to your playing or better adapt to the MIDI controller. This function allows you to select one of the four velocity curves or leave the velocity data unaltered (Off). In addition, the velocity curve can be set to “Global”, which means that the global velocity curve (programmed in the Master menu) is used.

VELOCITY CURVE

Global

Result Velocity

120

100

80

60

Curve 1

40

20

0

0 20 40 60 80 100 120

Result Velocity

120

100

80

60

Curve 2

40

20

0

0 20 40 60 80 100 120

Result Velocity

Played Velocity

120

100

80

60

Curve 3

40

20

0

0 20 40 60 80 100 120

Played Velocity

Result Velocity

Played Velocity

120

100

80

60

Curve 4

40

20

0

0 20 40 60 80 100 120

Played Velocity

Chapter 8: Preset Menu

125

 

 

PRESET MENU

• Keyboard Center

The Keyboard Center parameter establishes a reference point for keyboard modulation. Keys above this point will have a positive value and keys below it will be negative. The keyboard center can be set to any key within the range C-2 to G8.

KEYBOARD CENTER

C#3

KEY CENTER

- +

+

0

-

• Keyboard Tuning

In addition to the standard equally divided octave tuning, Morpheus contains four other types of scale tuning and one user-definable tuning. This function selects which tuning will be used in the current preset.

The choices of keyboard tunings are:

Equal tuning (12 tone equal temperament)

Standard Western tuning.

Just C tuning (just intonation)

Based on small interval ratios. Sweet and pure, non-beating intervals.

Vallotti tuning (Vallotti & Young non-equal temperament)

Similar to 12 tone equal temperament. For a given scale, each key has a different character.

19 Tone tuning (19 tone equal temperament)

19 notes per octave. Difficult to play, but works well with a sequencer.

Gamelan (Javanese) tuning (5 tone Slendro and 7 tone Pelog)

Pelog-white keys, Slendro-black keys. Exotic tunings of Gamelan flavor.

User tuning

Defined in the Master menu.

126 Morpheus Operation Manual