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PRESET MENU
Note-On
Modulation Sources
Key Number, Key Velocity
Initial Pitch Wheel Amount
Initial Controller A Amount
Initial Controller B Amount
Initial Controller C Amount
Initial Controller D Amount
Initial Mono Pressure Amount
Initial FR Function Gen.
Amount
Destinations
Off
Pitch, Primary Pitch
Secondary Pitch
Volume, Primary Volume
Secondary Volume
Attack, Primary Attack
Secondary Attack
Decay, Primary Decay
Secondary Decay
Release, Primary Release
Secondary Release
Crossfade
LFO 1 Amount, LFO 1 Rate
LFO 2 Amount, LFO 2 Rate
Auxiliary Envelope Amount
Auxiliary Envelope Attack
Auxiliary Envelope Decay
Auxiliary Envelope Release
Function Gen 1 Amount
Function Gen 2 Amount
Portamento Rate
Primary Portamento Rate
Secondary Portamento Rate
Filter Morph
Primary Filter Morph
Secondary Filter Morph
Pan, Primary Pan
Secondary Pan
Sample Start
Primary Sample Start
Secondary Sample Start
Tone, Primary Tone
Secondary Tone
Filter Level, Primary Filter Level
Secondary Filter Level,
Filter Freq. Tracking,
Primary Filter Freq. Tracking
Secondary Filter Freq. Tracking
Filter Transform 2
Primary Filter Transform 2
Secondary Filter Transform 2
• Note-On Modulation Control
These functions allow you to route Note-On information (information received at note-on time such as velocity or key number) to any of the modulation destinations. Up to 10 simultaneous paths or “patches” may be programmed. For each modulation patch, there is a source, a destination and a corresponding amount parameter which is variable from -128 to +127. Place the cursor under the appropriate parameter and change the patch number, modulation source, modulation destination, or the amount, using the data entry control. If a parameter is not labeled either primary or secondary, it affects both.
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NOTE-ON CTRL |
#0 |
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V Volume |
+000 |
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LFO 1 |
Primary |
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Z-Plane |
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R |
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Amount Rate |
Instrument |
Tone |
Filter |
DCA |
Pan |
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Sample |
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Pitch Start |
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Attn. Morph Trk T2 |
L |
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LFO 2 |
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Volume |
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Amount Rate |
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Portamento |
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Volume |
X-Fade |
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AHDSR |
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Auxiliary |
Rate |
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Atk Dec Rel |
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DAHDSR |
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Atk Dec Rel Amt |
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Function |
Secondary |
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Z-Plane |
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R |
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Generator 1 |
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Instrument |
Tone |
Filter |
DCA |
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Cond Amount |
Pan |
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Sample |
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Pitch Start |
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Attn. Morph Trk T2 |
L |
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Function |
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Volume |
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Generator 2 |
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Cond Amount |
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Volume |
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AHDSR |
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Atk Dec Rel |
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Modulation Destinations
CONTROLLER |
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FR FUNCTION |
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KEYBOARD |
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VELOCITY |
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A-B-C-D |
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CENTER |
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CURVE |
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GENERATOR |
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(INITIAL SETTING) |
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(INITIAL SETTING) |
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PITCH WHEEL |
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KEY NUMBER |
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VELOCITY |
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PRESSURE |
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(INITIAL SETTING) |
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(INITIAL SETTING) |
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Note-On Modulation Sources
122 Morpheus Operation Manual
PRESET MENU
• Realtime Modulation Control
These functions allow you to route realtime controllers to any of the modulation destinations except Tone, Sample Start, Filter Frequency Tracking and Filter Transform 2. Up to 10 simultaneous patches may be programmed. For each modulation patch, there is a source and a destination parameter. Place the cursor under the appropriate parameter and change the patch number, modulation source, modulation destination, or the amount using the data entry control. If a parameter is not labeled either primary or secondary, it affects both.
REALTIME CTL #0
PWhl Off +127
LFO 1 |
Primary |
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Z-Plane |
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R |
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Amount Rate |
Instrument |
Tone |
Filter |
DCA |
Pan |
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Pitch |
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Morph |
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L |
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Volume |
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LFO 2 |
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Amount Rate |
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Volume |
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X-Fade |
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AHDSR |
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Portamento |
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Rate |
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Atk Dec Rel |
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Auxiliary
DAHDSR
Atk Dec Rel Amt
Function |
Secondary |
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Z-Plane |
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R |
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Tone |
DCA |
Pan |
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Generator 1 |
Instrument |
Filter |
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Amt |
Pitch |
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Morph |
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L |
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Volume
Function
Generator 2
Amt |
Volume |
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AHDSR |
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Atk Dec Rel |
Modulation Destinations
PITCH WHEEL |
MONO |
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LFO 1 |
AUXILIARY |
PRESSURE |
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ENVELOPE |
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MIDI |
POLY |
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LFO 2 |
CONTROLLER |
PRESSURE |
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A/B/C/D |
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FUNCTION |
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FREE-RUN |
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FUNCTION |
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GENERATOR |
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GENERATOR |
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Realtime Modulation Sources
Realtime
Modulation Sources
Pitch Wheel
MIDI Control A
MIDI Control B
MIDI Control C
MIDI Control D
Mono Pressure
Polyphonic Pressure
LFO 1, LFO 2
Auxiliary Envelope
Function Generator 1
Function Generator 2
Free-Run Function Generator
Destinations
Off
Pitch, Primary Pitch
Secondary Pitch
Volume, Primary Volume
Secondary Volume
Attack, Primary Attack
Secondary Attack
Decay, Primary Decay
Secondary Decay
Release, Primary Release
Secondary Release
Crossfade
LFO 1 Amount, LFO 1 Rate
LFO 2 Amount, LFO 2 Rate
Auxiliary Envelope Amount
Auxiliary Envelope Attack
Auxiliary Envelope Decay
Auxiliary Envelope Release
Function Gen 1 Amount
Function Gen 2 Amount
Portamento Rate
Primary Portamento Rate
Secondary Portamento Rate
Filter Morph
Primary Filter Morph,
Secondary Filter Morph
Pan, Primary Pan
Secondary Pan
When Modulating Envelope Attack, Decay or Release Times:
Positive amounts of modulation increase the time.
Negative amounts of modulation decrease the time.
Chapter 8: Preset Menu |
123 |
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PRESET MENU
▼ Pressure Amount and Controller A-B-C-D Amount are MASTER Controls which affect the amount of modulation which can be programmed in the Realtime Modulation section.
In order for the Realtime Modulation Control amounts for these functions to have a full range of control, the Pressure and Controller A-D amounts must be set to +127.
• Footswitch Control
This function allows you to route the 3 footswitch controllers (1, 2 or 3) to any of the footswitch destinations. The footswitches can be routed to switch: Sustain (pri/sec/both), alternate volume envelope (pri/sec/both), alternate volume release (pri/sec/both), cross-switch between the primary and secondary instruments or switch portamento Off or On (pri/ sec/both).
FOOTSWITCH CTRL
1 -> Sustain
• Pitch Bend Range
This function allows you to specify the pitch wheel range for the current preset if pitch bend is not being globally controlled in the Master menu. Pitch bend range is only used when the pitch wheel is used to control pitch.
PITCH BEND RANGE +- 12 semitones
• Pressure Amount
This function allows you to specify an overall amount parameter for mono or poly keyboard pressure data (pre-patch cord). The pressure amount is variable from -128 to +127.
PRESSURE AMOUNT +127
• MIDI Controller Amount
This function allows you to specify an overall amount parameter (prepatch cord) which variable from -128 to +127 for each of the MIDI controllers.
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CONTROLLER AMT |
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CONTROLLER AMT |
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A:+127 |
B:+127 |
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C:+127 |
D:+127 |
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124 Morpheus Operation Manual
PRESET MENU
• Velocity Curve
Incoming velocity data can be modified by a velocity curve in order to provide different types of dynamics in response to your playing or better adapt to the MIDI controller. This function allows you to select one of the four velocity curves or leave the velocity data unaltered (Off). In addition, the velocity curve can be set to “Global”, which means that the global velocity curve (programmed in the Master menu) is used.
VELOCITY CURVE
Global
Result Velocity
120
100
80
60
Curve 1
40
20
0
0 20 40 60 80 100 120
Result Velocity
120
100
80
60
Curve 2
40
20
0
0 20 40 60 80 100 120
Result Velocity
Played Velocity
120
100
80
60
Curve 3
40
20
0
0 20 40 60 80 100 120
Played Velocity
Result Velocity
Played Velocity
120
100
80
60
Curve 4
40
20
0
0 20 40 60 80 100 120
Played Velocity
Chapter 8: Preset Menu |
125 |
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PRESET MENU
• Keyboard Center
The Keyboard Center parameter establishes a reference point for keyboard modulation. Keys above this point will have a positive value and keys below it will be negative. The keyboard center can be set to any key within the range C-2 to G8.
KEYBOARD CENTER
C#3
KEY CENTER
- +
+
0
-
• Keyboard Tuning
In addition to the standard equally divided octave tuning, Morpheus contains four other types of scale tuning and one user-definable tuning. This function selects which tuning will be used in the current preset.
The choices of keyboard tunings are:
Equal tuning (12 tone equal temperament)
Standard Western tuning.
Just C tuning (just intonation)
Based on small interval ratios. Sweet and pure, non-beating intervals.
Vallotti tuning (Vallotti & Young non-equal temperament)
Similar to 12 tone equal temperament. For a given scale, each key has a different character.
19 Tone tuning (19 tone equal temperament)
19 notes per octave. Difficult to play, but works well with a sequencer.
Gamelan (Javanese) tuning (5 tone Slendro and 7 tone Pelog)
Pelog-white keys, Slendro-black keys. Exotic tunings of Gamelan flavor.
User tuning
Defined in the Master menu.
126 Morpheus Operation Manual